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Copley<\/a>, <\/span><span style=\\\"font-size: 18px;\\\"><a href=\\\"https:\/\/www.galeriefriese.de\/ambra-durante\/\\\">Ambra Durante<\/a><\/span><\/div><div><span style=\\\"font-size: 18px;\\\">13. M\u00e4rz \u2013 15. April 2023<\/span><\/div><p><span style=\\\"font-size: 18px;\\\">&amp;<br \/><\/span><span style=\\\"font-size: 18px;\\\">VOTIVPFERDE<\/span><\/p><p>William N. Copley und Ambra Durante, der eine 1919 geboren, die andere im Jahr 2000, sind zwei K\u00fcnstler*innen, die zu den Self-Taught-Artists geh\u00f6ren, die mit h\u00f6chster Kunstfertigkeit \u2013 was den Genuss an ihren Arbeiten betr\u00e4chtlich vermehrt \u2013 ihre Bildthemen unmittelbar aus dem eigenen (Er)Leben sch\u00f6pfen.<\/p><p>Ambra Durante sagt: \u201eMein Schaffen soll der Versuch sein, auf eine Weise das menschliche Bewusstsein und Denken widerzuspiegeln. Ich befasse mich mit den Gef\u00fchlen des einzelnen Individuums in der Gesellschaft, mit Einsamkeit, Eigenart und all dem, was man als Mensch \u2013 oft \u2013 vielleicht \u2013 gar nicht mehr \u2013 immer \u2013 mitbekommt.\u201c<\/p><p>Und der immer selbst-bewusste Copley hat wie kein anderer K\u00fcnstler seiner Generation das Verh\u00e4ltnis von Mann und Frau bildnerisch durchleuchtet: wie sich alle Verh\u00e4ltnisse brechen und im tiefsten Sinn uneindeutig sind, wie das Erz\u00e4hlen von Bildgeschichten zur ironischen Lust an der Sache beitr\u00e4gt, all das kann man in seinen Bildern erfahren.<\/p><p>Parallel zeigen wir in Kooperation mit International Wardrobe Berlin eine Herde von Votivpferden aus Poshina im indischen Bundesstaat Gujarat. Die von Hand aus Terracotta erschaffenen Tonfiguren dienen als symbolische Opfer f\u00fcr die G\u00f6tter: Man kann sich Gesundheit w\u00fcnschen, auch Materielles ist \u00fcblich, oder man zeigt sich mit einem Pferd erkenntlich f\u00fcr einen bereits erf\u00fcllten Wunsch. <br \/><br \/><\/p><p>\u201eEs gibt Kunst, und es gibt Kunst. Die eine wird von Menschen gemacht, die an Akademien studiert haben, sie wird in Galerien und Museen gezeigt und bringt auf Auktionen viel Geld. Die andere entsteht in der Abgeschiedenheit. Sie hat keinen k\u00fcnstlerischen Anspruch und wird h\u00f6chstens zuf\u00e4llig als Kunst entdeckt. Beide Versionen erfordern Besessenheit. Beide k\u00f6nnen magisch sein.\u201c <br \/><span style=\\\"font-size: 13px;\\\">Johanna Adorj\u00e1n, S\u00fcddeutsche Zeitung Feuilleton, 23.12.2022<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 9,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"https:\/\/www.galeriefriese.de\/wp-content\/uploads\/2023\/04\/2023_04_13_Gesamtportfolio_Enfant-Terrible_Galerie-Friese_s.pdf\\\">WERKE<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 9,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 9,\r\n      \"relid\": 6,\r\n      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Copley<\/a>, <\/span><span style=\\\"font-size: 18px;\\\"><a href=\\\"https:\/\/www.galeriefriese.de\/ambra-durante\/\\\">Ambra Durante<\/a><\/span><\/div><div><span style=\\\"font-size: 18px;\\\">13. M\u00e4rz \u2013 15. April 2023<\/span><\/div><p><span style=\\\"font-size: 18px;\\\">&amp;<br \/><\/span><span style=\\\"font-size: 18px;\\\">VOTIVPFERDE<\/span><\/p><p>William N. Copley und Ambra Durante, der eine 1919 geboren, die andere im Jahr 2000, sind zwei K\u00fcnstler*innen, die zu den Self-Taught-Artists geh\u00f6ren, die mit h\u00f6chster Kunstfertigkeit \u2013 was den Genuss an ihren Arbeiten betr\u00e4chtlich vermehrt \u2013 ihre Bildthemen unmittelbar aus dem eigenen (Er)Leben sch\u00f6pfen.<\/p><p>Ambra Durante sagt: \u201eMein Schaffen soll der Versuch sein, auf eine Weise das menschliche Bewusstsein und Denken widerzuspiegeln. Ich befasse mich mit den Gef\u00fchlen des einzelnen Individuums in der Gesellschaft, mit Einsamkeit, Eigenart und all dem, was man als Mensch \u2013 oft \u2013 vielleicht \u2013 gar nicht mehr \u2013 immer \u2013 mitbekommt.\u201c<\/p><p>Und der immer selbst-bewusste Copley hat wie kein anderer K\u00fcnstler seiner Generation das Verh\u00e4ltnis von Mann und Frau bildnerisch durchleuchtet: wie sich alle Verh\u00e4ltnisse brechen und im tiefsten Sinn uneindeutig sind, wie das Erz\u00e4hlen von Bildgeschichten zur ironischen Lust an der Sache beitr\u00e4gt, all das kann man in seinen Bildern erfahren.<\/p><p>Parallel zeigen wir in Kooperation mit International Wardrobe Berlin eine Herde von Votivpferden aus Poshina im indischen Bundesstaat Gujarat. Die von Hand aus Terracotta erschaffenen Tonfiguren dienen als symbolische Opfer f\u00fcr die G\u00f6tter: Man kann sich Gesundheit w\u00fcnschen, auch Materielles ist \u00fcblich, oder man zeigt sich mit einem Pferd erkenntlich f\u00fcr einen bereits erf\u00fcllten Wunsch. <br \/><br \/><\/p><p>\u201eEs gibt Kunst, und es gibt Kunst. Die eine wird von Menschen gemacht, die an Akademien studiert haben, sie wird in Galerien und Museen gezeigt und bringt auf Auktionen viel Geld. Die andere entsteht in der Abgeschiedenheit. Sie hat keinen k\u00fcnstlerischen Anspruch und wird h\u00f6chstens zuf\u00e4llig als Kunst entdeckt. Beide Versionen erfordern Besessenheit. 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