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\"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

EL HOMBRE INVISIBLE<\/span><\/a>
Walter St\u00f6hrer<\/span><\/a><\/p>

24. Januar \u2013 7. M\u00e4rz 2026

<\/span><\/p>

Das konvoluthafte, zetteldurchwachsene, obsz\u00f6ne, mit Emotionen aufgeladene Zusammenballen divergierenden Materials in Malerei und Zeichnung faszinierte den 1937 in Stuttgart geborenen, 2000 in Scholderup gestorbenen Walter St\u00f6hrer ein Leben lang. In der Ausstellung zeigen wir gro\u00dfformatige Arbeiten auf Papier und Leinwand aus drei Jahrzehnten und in au\u00dfergew\u00f6hnlicher Qualit\u00e4t, die uns der Nachlass gro\u00dfz\u00fcgigerweise zur Verf\u00fcgung gestellt hat.\u00a0<\/span><\/p><\/div><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 402,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SKULPTUR<\/a>
<\/span>Jaana Caspary<\/span><\/a><\/a><\/p>

24. Januar \u2013 7. M\u00e4rz 2026

<\/span><\/p>

Jaana Caspary (*1988 in Wuppertal) studierte von 2007 bis 2014 an der Kunstakademie D\u00fcsseldorf und war Meistersch\u00fclerin von Prof. Didier Vermeiren. W\u00e4hrend ihrer Ausbildung arbeitete sie als Assistentin im Atelier von Tony Cragg. Ausgangspunkt ihrer Skulpturen sind allt\u00e4gliche, reale Gegenst\u00e4nde. Diese werden - einmal ausgew\u00e4hlt - zun\u00e4chst abgeformt und dann gespiegelt, vervielf\u00e4ltigt, verschoben, verdreht und wieder neu zusammengesetzt.\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 401,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 385,\r\n \"attid\": 3226,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/skulptur\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 380,\r\n \"attid\": 3187,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-2560x1533.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-1920x1150.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-1280x767.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-1024x613.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-768x460.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-512x307.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-265x159.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 1797,\r\n \"ar\": 0.599,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/10_jahre_berlin\/\",\r\n \"id\": 3079,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"nofollow\": false,\r\n \"title\": \"10 Jahre Berlin\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

10 Jahre Berlin<\/a>
<\/span>Horst Antes<\/a>, Willi Baumeister<\/a>, William N. Copley<\/a>, Ambra Durante<\/a>, Slawomir Elsner<\/a>, Asana Fujikawa<\/a>, Franziska Holstein<\/a>, Karin Kneffel<\/a>, Norbert Kricke<\/a>, Dieter Krieg<\/a>, Matti Kujasalo<\/a>, Anna Leonhardt<\/a>, Thomas M\u00fcller<\/a>, Georg Karl Pfahler<\/a>, Emilie Preyer, Claire de Santa Coloma<\/a>, Saul Steinberg<\/a>, Walter St\u00f6hrer<\/a>, Cornelius V\u00f6lker<\/a>, <\/span>Michael Wutz<\/span><\/a><\/p>

27. November 2025 \u2013 17. Januar 2026<\/span><\/p>

Die Galerie umfasst ein Spektrum, das in Berlin und dar\u00fcber hinaus einzigartig ist. Wir zeigen in derselben Qualit\u00e4t Bilder von Willi Baumeister aus dem Anfang der 1930er-Jahre wie Bilder von Karin Kneffel aus den Jahren 2004 und 2019 und von jungen zeitgen\u00f6ssischen K\u00fcnstlern respektable Arbeiten aus dem Jahr 2025.<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 381,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

So rot, so rot<\/a><\/span>
Elvira Bach<\/a><\/span>

12. September \u2013 15. November 2025<\/span><\/p>

Wir freuen uns sehr, Elvira Bachs Einzelausstellung\u00a0\u201eSo rot, so rot\u201c<\/em>\u00a0im Rahmen der Berlin Art Week 2025 zu er\u00f6ffnen.<\/span><\/p>

Elvira Bach wurde sp\u00e4testens mit ihrer Teilnahme an der documenta 7 im Jahr 1982 weltber\u00fchmt. Mit unverkennbarer Expressivit\u00e4t, markanter Farbigkeit und feinem Witz r\u00fcckte sie in ihren Selbstbildnissen und Frauenportr\u00e4ts die vielf\u00e4ltigen Identit\u00e4ten von Frauen ins Zentrum ihrer Kunst.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 374,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 373,\r\n \"attid\": 2920,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/so_rot_so_rot\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 370,\r\n \"attid\": 2912,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/08\/Franziska-Holstein_o.T.31_Installationsansicht-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/o-t-_31\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

o.T. (31)<\/a>
Franziska Holstein<\/a><\/span><\/p>

14. August \u2013 08. November 2025<\/span><\/p>

\u201eo.T. (31)\u201c ist eine 31-teilige neue Serie von Leinw\u00e4nden der K\u00fcnstlerin Franziska Holstein. Die Arbeiten werden an einer einzigen Wand pr\u00e4sentiert und erlauben in ihrer Gesamtheit sowohl einen eindrucksvollen Einblick in Holsteins Arbeitsweise wie auch ein au\u00dfergew\u00f6hnliches Seherlebnis.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 371,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ON DEATH AND DREAMING<\/a>
Ambra Durante<\/a>\u00a0<\/span><\/p>

04. Juli \u2013 30. August 2025<\/span><\/p><\/div><\/div><\/div>

Es ist die dritte Einzelausstellung der im Jahr 2000 geborenen Ambra Durante in unserer Galerie. Sie hei\u00dft, in der Schreibweise der K\u00fcnstlerin: \u201eOn death and Dreaming\u201c. Ambra Durante spricht, wenn sie zeichnet und schreibt \u2013 den neuen Zeichnungen ist auf einem weiteren Papier ein Text beigef\u00fcgt \u2013 von sich und von uns. Sie erz\u00e4hlt von der \u201eNacht der Seele erhellt vom Witz einer t\u00e4nzerischen Intelligenz\u201c (Daniel Kehlmann).\u00a0<\/span><\/p>

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LEISE \u00c4HNLICHKEIT<\/a>
<\/span>Dieter Krieg<\/a>, William N. Copley<\/a>, Peter Dreher<\/a>
<\/span><\/a>
03. Mai \u2013 28. Juni 2025<\/span>

Anl\u00e4sslich des Gallery Weekend Berlin er\u00f6ffnen wir die Ausstellung \u201eLeise \u00c4hnlichkeit\u201c, die den K\u00fcnstlern Dieter Krieg (1937-2005), William N. Copley (1919-1996) und Peter Dreher (1932-2020) gewidmet ist.<\/p>

Im Zentrum der Ausstellung steht das Werk von Dieter Krieg. Seine Kunst ist unter Aufbietung aller malerischen Aufladung eine stetige Auseinandersetzung mit Literatur, Bildender Kunst, dem Alltag, dem Leben und dem Tod. Dieter Krieg war ein Leser, und seine Malerei ist gepr\u00e4gt durch die Affinit\u00e4t zur Literatur seines Jahrhunderts, zu Sartre und Beckett, Schmidt und Flaubert, Musil und Jellinek, um einige zu nennen.<\/p>

\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 357,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SOULVA
Anna Leonhardt<\/span><\/a>

08. Februar \u2013 03. April 2025<\/span>

Wir sind es gewohnt, so wie wir es auch im Leben erfahren, in Bildern ein Nacheinander, eine zeitliche Abfolge zu lesen. Bei Anna Leonhardt k\u00f6nnte man zun\u00e4chst denken: Es gibt einen Bildhintergrund, der die Folie des Erscheinens f\u00fcr den Auftritt von gl\u00e4nzenden, schimmernden Farbformen ist. Auf den Fl\u00e4chen des Hintergrunds spielt sich ein Ereignis von Malerei ab, das viel \u00fcber Anna Leonhardts Verst\u00e4ndnis von Kunst aussagt.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 350,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 349,\r\n \"attid\": 2618,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/soulva\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 335,\r\n \"attid\": 2603,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/von-a-bis-z\/\",\r\n \"id\": 2586,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Von A bis Z\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CORNELIUS V\u00d6LKER - VON A BIS Z<\/span><\/a><\/p>

18. Januar \u2013 01. Februar 2025<\/span><\/p>

\u201eDie Motive sind f\u00fcr mich so etwas wie Widerstandskoeffizienten, an denen sich die Malerei erproben muss\u201c, sagt <\/span>Cornelius V\u00f6lker<\/span><\/a>. Seit mehr als 25 Jahren widmet er sich den Gegenst\u00e4nden und Situationen unseres allt\u00e4glichen Lebens und \u00fcberf\u00fchrt sie in seine Bildwelt. V\u00f6lkers Bilder erkennt man auf Anhieb wieder \u2013 spielerisch leicht und mit der Tradition der Kunstgeschichte im R\u00fccken hat er stilistisch wie thematisch eine eigene Form der Stilllebenmalerei gepr\u00e4gt. Und doch k\u00f6nnten die Bilder nicht unterschiedlicher sein; kontinuierlich erforscht er die M\u00f6glichkeiten, die die Malerei bieten kann.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 336,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WALTER ST\u00d6HRER-GRAFIK-PREIS 2024<\/a>

Ronja Look
Eleni Manolopoulos

Anerkennungspreise
Miro Boehm
Abner Braig<\/span><\/p>

18. Januar \u2013 01. Februar 2025<\/span><\/p>

Seit 2012 vergibt die Walter St\u00f6hrer-Stiftung den <\/span>Walter St\u00f6hrer-Preis f\u00fcr Grafik <\/span><\/a>im j\u00e4hrlichen Wechsel an Studierende der Akademie der Bildenden K\u00fcnste Stuttgart und der Universit\u00e4t der K\u00fcnste Berlin.\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 333,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 332,\r\n \"attid\": 2610,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/walter_stoehrer-grafik-preis2024\/\",\r\n \"id\": 2592,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"WALTER ST\u00d6HRER-GRAFIK-PREIS 2024\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 329,\r\n \"attid\": 2576,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/neoromantik\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201eNEOROMANTIK\u201c \u2013 Eine Ausstellung von Simon Strau\u00df<\/a>
<\/span>Nigin Beck, Lars Eidinger, Slawomir Elsner, Erika Hegewisch, Ralph Mecke, Benyamin Reich, Simon Strau\u00df, Charlotte Streicher <\/span><\/p><\/div><\/div><\/div>

16. November 2024 \u2013 11. Januar 2025<\/span>

Immer wieder die bohrende Frage: was machen wir mit unserer Empfindung? In einer Welt der Zahlen und Zuckungen, der Fakes und der Fehler, der Hetze und der Hoffnungslosigkeit \u2013 wozu da noch im Inneren graben und vielleicht eine Welt finden, die noch verletzlicher macht?
<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 330,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GARDEN OF EARTHLY DELIGHT<\/a>
Willi Baumeister<\/a>, William N. Copley<\/a>, Asana Fujikawa<\/a>, Karin Kneffel<\/a>, Thomas Mu\u0308ller<\/a>, Hartmut Neumann<\/a>, Claire de Santa Coloma<\/a>, Cornelius Vo\u0308lker <\/a>

<\/span>14. September \u2013 26. Oktober 2024

William N. Copleys Gem\u00e4lde \u201eGarden of Earthly Delight\u201c bildet den Ausgangspunkt der gleichnamigen Gruppenausstellung in der Galerie Friese. 1960 gemalt, zitiert der im Umfeld von Max Ernst, Man Ray und Marcel Duchamp arbeitende Copley (1919-1996) den \u201eGarten der L\u00fcste\u201c von Hieronymus Bosch.

Das Thema des irdischen Vergn\u00fcgens frei assoziierend werden in der Ausstellung zu dem Bild Werke von Willi Baumeister, Asana Fujikawa, Karin Kneffel, Thomas M\u00fcller, Hartmut Neumann, Claire de Santa Coloma und Cornelius V\u00f6lker pr\u00e4sentiert. \u00dcberbordende Blumenstr\u00e4u\u00dfe, surreale Pflanzenwelten, M\u00e4rchenfiguren und in der Sonne liegende Schwimmer erz\u00e4hlen von der Lust an der Tradition, dem sinnlichen Erleben und der Macht der k\u00fcnstlerischen Erschaffung geheimnisvoller Welten.<\/span><\/p><\/div><\/div><\/div>

\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 323,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 12,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 322,\r\n \"attid\": 2519,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/garden_of_earthly_delight\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 13,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 316,\r\n \"attid\": 2418,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-2560x1920.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-1920x1440.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-1280x960.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-1024x768.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-768x576.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-512x384.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-265x199.jpeg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/mouvements\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MOUVEMENTS<\/a>
<\/span>Robert Schad<\/span><\/a><\/p>

29. Juni \u2013 31. August 2024
<\/span>
<\/span>Schads Arbeiten vereinen zwei Gestaltungsformen: Zeichnung und Plastik. Die Zeichnungen sind elementarer Ausdruck des K\u00fcnstlers: der Gedanken, der Idee, der Abstraktion. Im Zentrum des Werks steht die Linie \u2013 als urspr\u00fcngliche Ausdrucksform des Menschen, um die Natur zu abstrahieren <\/span>und mit der menschlichen Existenz zu verbinden<\/span>. Seine Skulpturen verk\u00f6rpern die Bewegung aus den Zeichnungen als plastische Linie im Raum und machen sie konkret erfahrbar. Schad konzipiert diese Dynamik auch als Kraft im sozialen und kulturellen Lebensraum, den seine Skulpturen einnehmen.<\/span><\/p>

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NEUE ARBEITEN<\/span><\/a>
Franziska Holstein<\/span><\/a><\/span><\/p>

27. April \u2013 19. Juni 2024

Wir freuen uns, im Rahmen des Gallery Weekend Berlin die dritte Einzelausstellung der Leipziger Malerin Franziska Holstein (*1978) in der Galerie zu ero\u0308ffnen. Anschlie\u00dfend an ihre umfangreiche Einzelausstellung im Von der Heydt-Museum Wuppertal im letzten Jahr arbeitete die Ku\u0308nstlerin an einem Komplex neuer Leinwa\u0308nde, Wandmalereien und Wandarbeiten aus Holz, die sie ab dem 27. April in ihrer Ausstellung \u201eNeue Arbeiten\u201c in der Galerie Friese ausstellt.<\/span><\/p><\/div><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 305,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 304,\r\n \"attid\": 2350,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415.jpeg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-3840x2880.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-3200x2400.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-2560x1920.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-1920x1440.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-1280x960.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-1024x768.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-768x576.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-512x384.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-265x199.jpeg\"\r\n },\r\n \"w\": 4000,\r\n \"h\": 3000,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/neue-arbeiten\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 15,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 301,\r\n \"attid\": 2259,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-2560x1935.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-1920x1451.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-1280x967.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-1024x774.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-768x580.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-512x387.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/02\/G_F-98379-265x200.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2267,\r\n \"ar\": 0.7556666666666667,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/begegnung-zweier-kuenstler\/\",\r\n \"id\": 2208,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"BEGEGNUNG ZWEIER K\u00dcNSTLER IN DEN 1950ER JAHREN\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

BEGEGNUNG ZWEIER K\u00dcNSTLER IN DEN 1950ER JAHREN<\/span><\/a>
<\/a><\/span>Willi Baumeister<\/a> & <\/a><\/span>Georg Karl Pfahler<\/span><\/a><\/span><\/p>

10. Februar \u2013 13. April 2024<\/span><\/p>

In Willi Baumeisters (1889-1955) Werk vollzieht sich die Geschichte der europ\u00e4ischen Kunst der ersten H\u00e4lfte des 20. Jahrhunderts: Von der Abstraktion \u2013 bei Baumeister ausgehend von der menschlichen Figur \u2013 \u00fcber eine gegenstandslose, organische Phase, hin zur Erforschung einer sich im Werk vollziehenden Formbildung, die die Grenze zum Figurativen immer neu auslotet.
An der Stuttgarter Kunstakademie traf Georg Karl Pfahler (1926-2002) auf Baumeister und studierte bis 1954 in seiner Klasse. Pfahlers fr\u00fche Werke zeigen die Pr\u00e4gungen des Lehrers und seines Sp\u00e4twerks der schwarzen schwebenden Formen. Doch Pfahler fand bald seinen eigenen Kosmos.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 15,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 302,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SO SWEET, SO DEAD<\/span><\/a>
<\/span><\/span>Cornelius V\u00f6lker<\/span><\/span><\/span><\/a><\/p>

04. November \u2013 03. Februar 2024<\/span><\/p>

Malerei muss heute vor allem ihre Konsequenz beweisen. Es gibt den roten Faden in V\u00f6lkers Werk, der von den fr\u00fchen Arbeiten bis heute immer wieder die Frage stellt und auf jeweils atemberaubende Weise beantwortet: Wie kann Kunst werden, wie k\u00f6nnen Bilder sein, was sagt uns das, gerade heute?
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MALEREI<\/span><\/span><\/a>
<\/span>Anna Leonhardt<\/a><\/p>

16. September \u2013 28. Oktober 2023
<\/span><\/p>

<\/em>Anna Leonhardt besch\u00e4ftigt sich in ihrer Malerei mit Farbe, K\u00f6rper und Raum. Durch das Formen und Schichten der Farbe mit dem Spachtel erzeugt sie polychrome, plastisch durchgearbeitete Farbfl\u00e4chen mit starker Textur und r\u00e4umlicher Tiefenwirkung, auf denen abstrakte Farbk\u00f6rper schweben. Durch die sukzessive Transformation von Farbe, Gestalt, Raum und Licht entsteht ein spannungsvolles Verh\u00e4ltnis von Figur und Grund.
Leonhardts fr\u00fchere gegenst\u00e4ndliche und fig\u00fcrliche Kompositionen l\u00f6sten sich im Laufe der Zeit immer weiter in aneinandersto\u00dfende Farbfl\u00e4chen auf, bis sie zu einer konsequenten abstrakten Malerei gelangte, bei der der Arbeitsprozess im Vordergrund steht.<\/span><\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 17,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 281,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

VOLVER<\/span><\/a>
<\/span>Claire de Santa Coloma<\/a><\/p>

16. September \u2013 28. Oktober 2023
<\/span><\/p>

<\/em>Claire de Santa Colomas Skulpturen aus gefundenen oder ihr zugetragenen H\u00f6lzern befragen zentrale Themen der Skulptur sowie die ihr zugrunde liegenden gestalterischen Mittel. Gezielt spielt sie auf das Vokabular der abstrakten Skulptur des 20. Jahrhunderts an \u2013 als eine Art Archetyp der Gattung \u201eSkulptur\u201c. Ihre neuen Werke weisen eine f\u00fcr die K\u00fcnstlerin neuartige Fig\u00fcrlichkeit auf; sie erinnern an K\u00f6rper, Kult- und Fetischobjekte, oder suggerieren \u2013 einer Umkehrlogik folgend \u2013 einen \u201eNegativraum\u201c f\u00fcr den K\u00f6rper. <\/span><\/p>

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FIGUR<\/a><\/span>
<\/span>Horst Antes<\/a>, Willi Baumeister<\/a>, Karl H. H\u00f6dicke<\/a>, Karin Kneffel<\/a>, Walter St\u00f6hrer<\/a>, Cornelius V\u00f6lker<\/a><\/p>

30. Juni \u2013 31. August 2023<\/span><\/p>

Figur\u00a0<\/span><\/em>\u2013 so nennen wir unsere Ausstellung mit Werken von Horst Antes<\/a>, Willi Baumeister<\/a>, Karl H. H\u00f6dicke<\/a>, Karin Kneffel<\/a>, Walter St\u00f6hrer<\/a> und Cornelius V\u00f6lker<\/a><\/p>

Aus dem\u00a0<\/span>Aru<\/em>\u00a0<\/span>von Willi Baumeister springt uns die vollendete Synthese des Begriffs an: Eine abstrakte Figur ist zun\u00e4chst eine schwarze Fl\u00e4che \u2013 und mit jedem Blick verschiebt sich ihre Gewichtung. Mal meint man, einem Rohrschachtest beizuwohnen, dann taucht ein Gesicht auf, eine fast heftige gestische Bewegung, pl\u00f6tzlich ruht die Fl\u00e4che ganz in sich. Und in diesem Auftauchen von sich stetig wandelnden Bedeutungsebenen vollzieht sich das Gesicht der Ausstellung.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 19,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 3,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNUNGEN<\/span><\/span><\/a>
Thomas M\u00fcller<\/span><\/a><\/p>

29. April \u2013 17. Juni 2023<\/span><\/p>

Wir er\u00f6ffnen im Rahmen des Gallery Weekend 2023 unsere dritte Einzelausstellung von Thomas M\u00fcller (*1959). M\u00fcllers Bildwelten sind komplexe abstrakte Anordnungen, die sich ganz selbstverst\u00e4ndlich den g\u00e4ngigen Deutungsmustern entziehen. Seine Kompositionen setzen sich aus kristallinen, gewebten, wellenf\u00f6rmigen, fl\u00e4chigen, gespannten und schwebenden Gebilden zusammen.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 20,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 270,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 20,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 271,\r\n \"attid\": 1848,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/G_F-81103-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/zeichnungen-2023\/\",\r\n \"id\": 1813,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Zeichnungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 21,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 268,\r\n \"attid\": 1850,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/G_F-81111-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/holy-shit-i-hear-voices\/\",\r\n \"id\": 1808,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Holy Shit \u2013 I Hear Voices\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

HOLY SHIT - I HEAR VOICES<\/span><\/span><\/a>
Achim Duchow<\/a><\/p>

29. April \u2013 17. Juni 2023<\/span><\/p>

Im Rahmen des Gallery Weekend 2023 er\u00f6ffnen wir unsere zweite Einzelausstellung des K\u00fcnstlers Achim Duchow (1948-1993). Die Ausstellung Holy Shit \u2013 I Hear Voices<\/em> ist anl\u00e4sslich der Neuerscheinung seines Werkverzeichnisses konzipiert worden und umfasst 18 gro\u00dfformatige Malereien auf Leinwand und Papier, entstanden zwischen 1980 und 1992.<\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 21,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 245,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ENFANT TERRIBLE<\/span><\/a>
William N. Copley<\/a>, Ambra Durante<\/span><\/a>
<\/span><\/p>

&
<\/span>VOTIVPFERDE<\/span><\/p>

13. M\u00e4rz \u2013 15. April 2023<\/span><\/p>

William N. Copley und Ambra Durante, der eine 1919 geboren, die andere im Jahr 2000, sind zwei K\u00fcnstler*innen, die zu den Self-Taught-Artists geh\u00f6ren, die mit h\u00f6chster Kunstfertigkeit ihre Bildthemen unmittelbar aus dem eigenen (Er)Leben sch\u00f6pfen. Parallel in Kooperation mit International Wardrobe Berlin eine Herde von Votivpferden aus Poshina im indischen Bundesstaat Gujarat.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 22,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 629,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 22,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 624,\r\n \"attid\": 1779,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/enfant-terrible\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 23,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 781,\r\n \"attid\": 1563,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/die-welt-vom-sechsten-schoepfungstag\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

DIE WELT VOM SECHSTEN SCH\u00d6PFUNGSTAG<\/span><\/span><\/a><\/a><\/p>

28. Januar \u2013 04. M\u00e4rz 2023<\/span><\/span><\/span><\/h1>

Bilder und Arbeiten auf Papier von: <\/span><\/h1>

Peter Dreher<\/a> (1932\u20132020), Amalie K\u00e4rcher (1819\u20131887), Karin Kneffel<\/a> (*1957), Dieter Krieg<\/a> (1937\u20132005), Ferdinand K\u00fcss (1800\u20131886), Emilie Preyer (1849\u20131930), Johann Wilhelm Preyer (1803\u20131889), Thomas Sch\u00fctte (*1954), Adolf Senff (1785\u20131863), Cornelius V\u00f6lker<\/a> (*1965)<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 23,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 202,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

PAINTINGS<\/span><\/span><\/a>
<\/span>Matti Kujasalo<\/span><\/a><\/p>

05. November 2022 \u2013 14. Januar 2023<\/span><\/span><\/h2>

In Matti Kujasalos zweiter Einzelausstellung in der Galerie Friese liegt der Fokus auf seinen in den letzten Jahren entstandenen und aktuellen Malereien, in denen die Farbe eine immer zentralere Rolle spielt.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 24,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 200,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 24,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 201,\r\n \"attid\": 1481,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/matti-kujasalo-paintings\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 25,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 585,\r\n \"attid\": 1542,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/12\/G_F-75781-1-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/strange-ive-seen-that-face-before\/\",\r\n \"id\": 1520,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Strange, I've seen that face before\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

STRANGE, I'VE SEEN THAT FACE BEFORE<\/span><\/span><\/span><\/span><\/a><\/p>

Walter St\u00f6hrer-Grafik-Preis 2021\/22 der Walter St\u00f6hrer-Stiftung f\u00fcr Studierende an Kunsthochschulen<\/span><\/h2>

Preistr\u00e4gerin: Friederike Goebbels<\/span>
Annerkennungspreise:\u00a0Lena Valenzuela de la Hoz,\u00a0<\/span>Emma Zimmermann<\/span><\/h2>

10. \u2013 23. Dezember 2022<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 25,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 626,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

FRIEDRICH TEEPE<\/span><\/span><\/span><\/span><\/a><\/p>

05. November \u2013 03. Dezember 2022<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 26,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 1328,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 26,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 1327,\r\n \"attid\": 1467,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-2560x2088.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-1920x1566.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-1280x1044.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-1024x835.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-768x626.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-512x418.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-265x216.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2447,\r\n \"ar\": 0.8156666666666667,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/friedrich-teepe\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 27,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 393,\r\n \"attid\": 1367,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/romane-holderried-kaesdorf-zeichnerei-des-dringenden-motivs\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNEREI DES DRINGENDEN MOTIVS<\/span><\/span><\/span><\/span><\/a>
Romane Holderried Kaesdorf<\/span><\/a><\/p>

17. September \u2013 29. Oktober 2022<\/span><\/h2>

Die in Zusammenarbeit mit dem Nachlass entstandene Ausstellung versammelt Malereien und Zeichnungen aus vier Jahrzehnten, in denen sich eine eigenwillige, doch sehr zug\u00e4ngliche Welt immer wiederkehrender Figuren und Objekte entfaltet.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 27,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 619,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WILLIAM N. COPLEY<\/span><\/span><\/span><\/span><\/a><\/p>

17. September \u2013 29. Oktober 2022<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 28,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 47,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 28,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 435,\r\n \"attid\": 1393,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/william-william-copley\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/06\/1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 29,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 395,\r\n \"attid\": 1263,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/06\/1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/06\/1-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/06\/1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/06\/1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/06\/1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/06\/1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/06\/1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/06\/1-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/mueller-stoehrer\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

THOMAS M\u00dcLLER & WALTER ST\u00d6HRER<\/span><\/a><\/span><\/p>

18. Juni \u2013 31. August 2022<\/p>

Zwei k\u00fcnstlerische Temperamente bringen wir in dieser Ausstellung zusammen, deren Werk wir mit gro\u00dfer Begeisterung vertreten.<\/span><\/p><\/div><\/td><\/tr><\/tbody><\/table>\",\r\n \"align\": \"top\",\r\n \"row\": 29,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

7 H\u00c4USER<\/span><\/span><\/a>
<\/span>Horst Antes<\/a><\/span><\/h1>

30. April \u2013 11. Juni 2022<\/span><\/h2>

Wir er\u00f6ffnen im Rahmen des Gallery Weekend 2022 unsere erste Einzelausstellung des K\u00fcnstlers Horst Antes (*1936).\u00a0<\/p>

In seiner Ausstellung\u00a07 H\u00e4user<\/em>\u00a0zeigt Antes sieben monumentale, teils mehrteilige Bilder, die die f\u00fcr Antes typischen, dunkel-reduzierten H\u00e4user zeigen. Die Werke, darunter auch neu entstandene Arbeiten, sind in der von dem K\u00fcnstler selbst kuratierten Zusammenschau erstmalig zu sehen.\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 30,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/04\/Install_1b.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 30,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 621,\r\n \"attid\": 1168,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/04\/Install_1b.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-2560x1884.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-1920x1413.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-1280x942.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-1024x754.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-768x565.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-512x377.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-265x195.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2208,\r\n \"ar\": 0.736,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/horst-antes-7-haeuser\/\",\r\n \"id\": 1161,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"7 H\u00e4user\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 31,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 1144,\r\n \"attid\": 1164,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/daniel-topka-stop-kitten-production\/\",\r\n \"id\": 1166,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Stop Kitten Production & Dekadenz I\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

STOP KITTEN PRODUCTION & DEKADENZ I<\/span><\/span><\/span><\/span><\/a>
Daniel Topka<\/a><\/p>

Neue Vasen und Keramiken im Salon Friese<\/p>

zum Gallery Weekend Berlin 2022<\/p>

29. April \u2013 07. Mai 2022<\/p>

Parallel zu unserer Einzelausstellung mit Werken von Horst Antes in unseren Galerier\u00e4umen, zeigen wir im Salon Friese vom 29. April bis 07. Mai 2022 neue Arbeiten von Daniel Topka: eine Serie von neun mundgeblasenen Glasvasen mit dem Titel \u00bbStop Kitten Production\u00ab sowie Keramiken aus der Serie \u00bbDekadenz I\u00ab.<\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 31,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ES WAR EINMAL...<\/span><\/span><\/a>
<\/span>Edouard Baribeaud<\/p>

12. M\u00e4rz \u2013 22. April 2022<\/span><\/h2>

Der deutsch-franz\u00f6sische K\u00fcnstler Edouard Baribeaud (*1984 in Versailles, lebt in Berlin) inszeniert in seinen Werken auf Papier Mythen, Geschichten und Bildtraditionen auf der B\u00fchne der Kunst.\u00a0<\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 32,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 392,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 32,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 391,\r\n \"attid\": 1112,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-265x199.jpg\"\r\n },\r\n \"w\": 2667,\r\n \"h\": 2000,\r\n \"ar\": 0.7499062617172854,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/edouard-baribeaud-es-war-einmal\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 33,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 592,\r\n \"attid\": 1100,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-265x199.jpg\"\r\n },\r\n \"w\": 2667,\r\n \"h\": 2000,\r\n \"ar\": 0.7499062617172854,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/willi-baumeister-raum-1\/\",\r\n \"id\": 1098,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Willi Baumeister\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WILLI BAUMEISTER<\/span> <\/a><\/span><\/p>

12. M\u00e4rz \u2013 22. April 2022<\/span><\/h2>

Parallel zu unserer Einzelausstellung mit Werken von Edouard Baribeaud zeigen wir Gem\u00e4lde und Zeichnungen von Willi Baumeister aus den 1940er und 1950er Jahren.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 33,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 46,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

DEKADENZ I (2021-22)<\/span><\/span><\/span><\/span><\/a>
Daniel Topka<\/span><\/a><\/p>

12. M\u00e4rz \u2013 22. April 2022<\/span><\/h2>

Parallel zu unserer aktuellen Einzelausstellung mit Werken von Edouard Baribeaud pr\u00e4sentieren wir eine neue Serie von zehn glasierten Keramiken von Daniel Topka mit dem Titel \\\"Dekadenz I\\\", entstanden 2021-22.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 34,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 45,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 34,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 911,\r\n \"attid\": 1092,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-2560x1854.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-1920x1391.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-1280x927.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-1024x742.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-768x556.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-512x371.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-265x192.jpg\"\r\n },\r\n \"w\": 2761,\r\n \"h\": 2000,\r\n \"ar\": 0.7243752263672583,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/daniel-topka-dekadenz-1\/\",\r\n \"id\": 1091,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Daniel Topka | Dekadenz I (2021-22)\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 35,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 658,\r\n \"attid\": 1085,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/norbert-kricke-raum-fassen-raum-lassen\/\",\r\n \"id\": 1077,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Norbert Kricke | Raum fassen \u2014 Raum lassen Werke 1954 \u2013 1984\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

RAUM FASSEN - RAUM LASSEN WERKE 1954\u20131984<\/span><\/span><\/span><\/span><\/a>
Norbert Kricke<\/span><\/p>

01. Dezember 2021 \u2013 02. M\u00e4rz 2022<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 35,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 44,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

EDITIONEN I<\/span><\/span><\/a>
<\/span>William N. Copley<\/a>, Felix Droese<\/a>, Asana Fujikawa<\/a>, Franziska Holstein<\/a>, Karin Kneffel<\/a>, Dieter Krieg<\/a>, Via Lewandowsky<\/a>, Claire de Santa Coloma<\/a>, Walter St\u00f6hrer<\/a>, Daniel Topka<\/a>, Cornelius V\u00f6lker<\/a>, Michael Wutz<\/a><\/span><\/p>

12. \u2013 23. November 2021<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 36,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 43,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 36,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 941,\r\n \"attid\": 1065,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/editionen-1\/\",\r\n \"id\": 1056,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Editionen I\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 37,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 630,\r\n \"attid\": 1047,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/ambra-durante-lack-of-sleep-is-my-eyeshadow\/\",\r\n \"id\": 1045,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Ambra Durante | Lack of sleep is my eye shadow\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

LACK OF SLEEP IS MY EYE SHADOW<\/span><\/span><\/a>
<\/span>Ambra Durante<\/span><\/a><\/p>

15. September \u2013 30. Oktober 2021<\/span><\/h2>

\u00a0<\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 37,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 42,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

EINMAL FIELEN WEISSE TROPFEN AUS DEINER BRUSTWARZE AUF MEINEN ST\u00d6CKELSCHUH, WEISST DU NOCH? <\/a>
<\/span>Asana Fujikawa<\/span><\/a><\/p>

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KARIN KNEFFEL | ANL\u00c4SSLICH VON INDEX BERLIN \u00bbMIES IN MIND\u00ab<\/span><\/span><\/span><\/span><\/a><\/p>

20. August \u2013 08. September 2021<\/span><\/h2>

\u00a0<\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 39,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 40,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MIES IN MIND<\/span><\/span><\/a>
<\/span>Willi Baumeister<\/a>, Klaus Heinrich, Franziska Holstein<\/a>, Claire de Santa Coloma<\/a> und Daniel Topka<\/a><\/span><\/p>

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7 K\u00dcNSTLER*INNEN - 7 R\u00c4UME<\/span><\/a>
<\/span>William N. Copley<\/a>,<\/span> Franziska Holstein<\/a>,<\/span> Karin Kneffel<\/a>, Dieter Krieg<\/a>,<\/span> Thomas M\u00fcller<\/a>, Georg Karl Pfahler<\/a>, Cornelius V\u00f6lker<\/a><\/span><\/span><\/p>

01. \u2013 17. April 2021<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 41,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 38,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

INNER<\/span><\/span><\/a>
Claire de Santa Coloma<\/span><\/a><\/p>

28. April \u2013 27. Juni 2021<\/span><\/h2>

\u00a0<\/p>

\u00a0<\/p>

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FEED-BACK BEWEISTS, FEED-BACK IST GESETZ<\/span> <\/span><\/a>
Walter St\u00f6hrer<\/span><\/a><\/p>

23. Januar \u2013 28. M\u00e4rz 2021<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 43,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 37,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

BRAVE NEW WORLD<\/span><\/span><\/a><\/p>

Preistr\u00e4ger: Daniel Topka<\/a>
Anerkennungspreise: Elke Burkert, Frank Jimin Hopp, Daniel Schaal<\/h2>

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HELMUT NEWTON | WILLIAM N. COPLEY<\/span><\/span><\/a><\/p>

In Kooperation mit Kicken Berlin und Meyer Riegger<\/p>

31. Oktober 2020 \u2013 16. Januar 2021<\/span>

<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>

\u00a0<\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 45,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 35,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

RE\/KONSTRUKTION & FORM UND FIGUR<\/span><\/span><\/a>
Karin Kneffel<\/a> & Willi Baumeister<\/a><\/span><\/p>

09. September \u2013 24. Oktober 2020<\/span><\/h2>

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TRAURIGE TOPOI<\/span><\/span><\/a>
Michael Wutz<\/span><\/a><\/p>

18. Juli \u2013 29. August 2020<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 47,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 33,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

STILL LEBEN<\/span><\/span><\/a>
Joseph Beuys, Anna und Bernhard Blume, Asana Fujikawa,<\/a> Karin Kneffel<\/a>, Dieter Krieg<\/a>, Heinrich K\u00fchn, Ferdinand K\u00fcss, Via Lewandowsky<\/a>, Hartmut Neumann<\/a>, Walter Peterhans, Norbert Prangenberg, Emilie Preyer, Dieter Roth, Thomas Sch\u00fctte, Kurt Schwitters, Norbert Schwontkowski, Saul Steinberg<\/a>, Josef Sudek, Cornelius V\u00f6lker<\/a><\/span><\/p>

18. Mai \u2013 26. Juni 2020<\/span><\/h2>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 48,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 32,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 48,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 930,\r\n \"attid\": 924,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-2560x1879.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-1920x1409.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-1280x940.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-1024x752.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-768x564.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-512x376.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-265x195.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2202,\r\n \"ar\": 0.734,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/still-leben\/\",\r\n \"id\": 911,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Still Leben\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 49,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 697,\r\n \"attid\": 910,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Cornelius-Volker_On-Paper-Only_10-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ON PAPER ONLY<\/span><\/span>
Cornelius V\u00f6lker<\/a>\u00a0<\/span><\/p>

28. Februar \u2013 18. April 2020<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 49,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 31,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNUNGEN<\/a><\/span>
Klaus Heinrich<\/span><\/p>

01. \u2013 22. Februar 2020<\/span><\/h2>

148 Zeichnungen und 10 Skizzenb\u00fccher von 1955 bis 2020<\/h2>

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MALEREI AUF PAPIER<\/span><\/span><\/a>
Franziska Holstein<\/span><\/a><\/p>

15. November 2019 \u2013 18. Januar 2020<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 51,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 29,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNUNGEN<\/span><\/span><\/a>
Thomas M\u00fcller<\/span><\/a><\/h1>

06. September \u2013 02. November 2019<\/span><\/h2>

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INVENTUR I: DIE DINGE<\/span><\/span><\/a>
Horst Ademeit, Mary Bauermeister, Thomas Bayrle, Joseph Beuys, Michael Buthe, William N. Copley<\/a>, Felix Droese<\/a>, Max Ernst, Thomas Gr\u00fcnfeld, K.H. H\u00f6dicke,<\/a> Franziska Holstein<\/a>, Karin Kneffel<\/a>, Dieter Krieg<\/a>, Jari Kylli<\/a>, Hartmut Neumann<\/a>, Albrecht Sch\u00e4fer, Andreas Schulze, Thomas Sch\u00fctte, Saul Steinberg<\/a> und Cornelius V\u00f6lker<\/a><\/span><\/h1>

12. Juli \u2013 31. August 2019<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 53,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 27,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

LIFE, LIBERTY, AND THE PURSUIT OF HAPPINESS<\/span><\/span><\/a>
William N. Copley<\/a>, Robert Frank, Saul Leiter und Saul Steinberg<\/a><\/span><\/h1>

26. April \u2013 04. Juli 2019<\/span><\/h2>

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AUF DEM WEG ZUM MOTIV. ZEITGEN\u00d6SSISCHE K\u00dcNSTLER TREFFEN AUF WILLI BAUMEISTER<\/span> <\/span><\/a>
Willi Baumeister<\/a>, Edouard Baribeaud, Lubna Chowdhary, Manisha Parekh, Claire de Santa Coloma<\/a>, Andreas Schulze, Anna Virnichs, Pedro Wirz, Michael Wutz<\/a><\/span><\/h1>

26. Januar \u2013 06. April 2019<\/span><\/h2>

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\u00dcBERSPANNUNGEN 1965\u20131969<\/span><\/span><\/a>
Bernd Koberling |\u00a0Christiane Baumgartner<\/span>
Franz Gertsch | R\u00fcschegg I<\/span><\/h1>

10. November 2018 \u2013 19. Januar 2019<\/span><\/h2>

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SEKUNDEN<\/span><\/span><\/a>
J\u00fcrgen Klauke + Special Guests by Kicken Berlin<\/span><\/p>

21. September \u2013 03. November 2018<\/span><\/h2>

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FRAGMENTE<\/span><\/span><\/a>
Dave Bopp<\/span><\/p>

27. Juli \u2013 01. September 2018<\/span><\/h2>

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FRAGMENTE<\/span><\/span><\/a>
Roman Kochanski<\/span><\/p>

27. Juli \u2013 01. September 2018<\/span><\/h2>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 59,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 22,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ALLEN MALERN HERZLICHEN DANK<\/span><\/a>
<\/span>Dieter Krieg<\/span><\/p>

Und Arbeiten von William N. Copley, Tatjana Doll und Andreas Schulze<\/span><\/h2>

08. Juni \u2013 21. Juli 2018<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 60,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 21,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 60,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 683,\r\n \"attid\": 783,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Copley-Doll-Schulze_Installation_1-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/dieter-krieg-ausstellungen\/\",\r\n \"id\": 773,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Dieter Krieg | Ausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 61,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 640,\r\n \"attid\": 767,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-1920x1426.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-1280x950.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-1024x760.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-768x570.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-512x380.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-265x197.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1485,\r\n \"ar\": 0.7425,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/georg-karl-pfahler-spirit-of-reality\/\",\r\n \"id\": 765,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Georg Karl Pfahler | Spirit of Reality\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SPIRIT OF REALITY<\/span><\/span><\/a>
Georg Karl Pfahler\u00a0<\/span><\/p>

27. April \u2013 02. Juni 2018<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 61,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 20,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

AUS EINER PRIVATSAMMLUNG<\/span><\/span><\/a>
Felix Droese<\/span><\/p>

23. M\u00e4rz \u2013 21. April 2018<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 62,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 19,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 62,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 645,\r\n \"attid\": 756,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/felix-droese-aus-einer-privatsammlung\/\",\r\n \"id\": 754,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Felix Droese | Aus einer Privatsammlung\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 63,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 628,\r\n \"attid\": 744,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/matti-kujasalo-einzelausstellung\/\",\r\n \"id\": 742,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Matti Kujasalo | Einzelausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WERKE 1973\u20132017<\/span><\/span><\/a>
Matti Kujasalo<\/span><\/p>

19. Januar \u2013 17. Februar 2018<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 63,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 18,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GEDANKEN ZUR ZEIT | READY-MADES UND BILDER
<\/span>Achim Duchow<\/span><\/a><\/p>

17. November 2017 \u2013 13. Januar 2018<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 64,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 17,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 64,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 607,\r\n \"attid\": 738,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/achim-duchow-ausstellungen\/\",\r\n \"id\": 733,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Achim Duchow Ausstellungen\",\r\n \"catid\": 4,\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 65,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 924,\r\n \"attid\": 728,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet-265x177.jpg\"\r\n },\r\n \"w\": 766,\r\n \"h\": 512,\r\n \"ar\": 0.6684073107049608,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/cornelius-voelker-ausstellungen\/\",\r\n \"id\": 722,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Cornelius V\u00f6lker | Ausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CLOSE<\/span><\/span><\/a>
Cornelius V\u00f6lker<\/span><\/p>

08. September \u2013 11. November 2017<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 65,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 16,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ARBEITEN AUF PAPIER<\/span><\/span><\/a>
Karl Bohrmann<\/span><\/p>

08. Juli \u2013 02. September 2017<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 66,\r\n \"col\": 2,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 15,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 66,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 1855,\r\n \"attid\": 718,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/karl-bohrmann-arbeiten-auf-papier\/\",\r\n \"id\": 711,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Karl Bohrmann | Arbeiten auf Papier\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 67,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 588,\r\n \"attid\": 704,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/peter-handke-zeichnungen\/\",\r\n \"id\": 700,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Peter Handke | Zeichnungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNUNGEN<\/span><\/span><\/a>
Peter Handke<\/span><\/h1>

23. Juni \u2013 02. September 2017<\/span><\/h2>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 67,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 14,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

AUSSTELLUNG SKULPTUR #1<\/span><\/span><\/a><\/h1>

24. Mai \u2013 01. Juli 2017<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 68,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 13,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 68,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 681,\r\n \"attid\": 689,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Skulptur1_Galerie-Friese-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/ausstellung-skulptur-1\/\",\r\n \"id\": 677,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Ausstellung Skulptur #1\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 69,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 1676,\r\n \"attid\": 643,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Walter-Stohrer_3-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/walter-stohrer-wie-es-ist\/\",\r\n \"id\": 639,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Walter St\u00f6hrer | Wie es ist\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WIE ES IST<\/span><\/span><\/a>
Walter St\u00f6hrer<\/span><\/h1>

17. M\u00e4rz \u2013 17. Mai 2017<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 69,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 12,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

IN DEN KABINETTEN<\/span><\/span><\/a>
Hedwig Eberle<\/span><\/h1>

17. M\u00e4rz \u2013 17. Mai 2017<\/span><\/p>

In Zusammenarbeit mit Michael Jahn<\/span><\/p>

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ARBEITEN AUF PAPIER UND SKULPTUREN<\/span><\/span><\/a>
Jari Kylli<\/h1>

21. Januar \u2013 11. M\u00e4rz 2017<\/span><\/p>

\u00a0<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 71,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 11,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

IN DEN KABINETTEN<\/a>
<\/span>Felix Droese, Via Lewandowsky und Michael Wutz<\/span><\/p>

21. Januar \u2013 11. M\u00e4rz 2017<\/span><\/p>

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NACH DEM SCHAUER<\/span><\/span><\/a>
Karl Horst H\u00f6dicke<\/span><\/p>

28. Oktober \u2013 14. Januar 2017<\/span><\/p>



<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 73,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 9,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

FRANZISKA HOLSTEIN<\/a><\/span><\/p>

02. September \u2013 22. Oktober 2016<\/span><\/p>



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LEO ERB & IN DEN KABINETTEN: GR\u00dcN II<\/span><\/a>
<\/span><\/p>

08. Juli \u2013 26. August 2016<\/span><\/p>



<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 75,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 210,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MNEMONIS<\/span><\/a>
<\/span>Konstantino Dregos<\/span><\/p>

27. Mai \u2013 02. Juli 2016<\/span><\/p>



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IN DEN KABINETTEN: VON BLECHEN BIS VOLTERRANO - ZEICHNUNGEN AUS DEM 16. UND 19. JAHRHUNDERT<\/span>
<\/span><\/p>

In Kooperation mit Martin Gr\u00e4ssle Kunsthandel<\/p>

01. \u2013 29. Mai 2016<\/p>

\u00a0<\/p>



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VON MAX UND WUTZ<\/span><\/a>
<\/span>Michael Wutz und Gabriel von Max<\/p>

08. April \u2013 21. Mai 2016<\/p>

\u00a0<\/p>



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SCHMUTZIGE GESCHICHTE<\/span><\/span><\/a>
Felix Droese<\/p>

05. Februar \u2013 02. April 2016<\/p>

\u00a0<\/p>



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ES AUFNEHMEN MIT DEM LEBEN<\/a><\/span>
William N. Copley und Saul Steinberg<\/p>

04. Dezember 2015 \u2013 30. Januar 2016<\/p>

\u00a0<\/p>



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LINKS<\/span><\/span><\/a>
Karin Kneffel<\/p>

11. September \u2013 23. November 2015<\/p>

\u00a0<\/p>



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DA\u00df MAN IMMER ESSEN MU\u00df<\/a>
<\/span>Dieter Krieg<\/p>

10. Juli \u2013 05. September 2015<\/p>

\u00a0<\/p>



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GALERIEER\u00d6FFNUNG<\/a>
<\/span>Willi Baumeister
&
In den Kabinetten: Michael Wutz, Cornelius V\u00f6lker, Walter St\u00f6hrer, Saul Steinberg, Dieter Krieg, Karin Kneffel und William N. Copley<\/p>

12. Mai \u2013 07. Juli 2015<\/p>

\u00a0<\/p>



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Norbert Kricke | Dieter Krieg<\/span><\/p>

14. M\u00e4rz \u2013 18. April 2026
<\/span>
Er\u00f6ffnung:
<\/span>Freitag, 13. M\u00e4rz 2026, 18 \u2013 20 Uhr

<\/span>Einf\u00fchrung:<\/span>
Klaus Gerrit Friese, 19 Uhr

<\/span><\/p>

Norbert Kricke (1922\u20131984) z\u00e4hlt zu den zentralen Protagonisten der deutschen Nachkriegskunst. Sein Werk der Raumplastiken und Zeichnungen umspannt etwas mehr als drei Jahrzehnte und widmet sich konsequent der Erforschung der Linie im Raum. \u00a0<\/span><\/p>

Die Ausstellung zeigt Werke der 1950er und 1970er Jahre in Zusammenarbeit mit dem Nachlass des K\u00fcnstlers. Ein besonderer Fokus liegt auf einer Gruppe gro\u00dfformatiger, \u00e4u\u00dferst reduzierter Zeichnungen von 1976: Schwarze Tuschelinien durchziehen fast theatral die Zeichenfl\u00e4che und aktivieren diese zum Bildraum.\u00a0<\/span><\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 404,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 386,\r\n \"attid\": 3226,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2026\/01\/2G_F-4722-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SKULPTUR
<\/span>Jaana Caspary<\/span><\/a><\/p>

24. Januar \u2013 7. M\u00e4rz 2026<\/span><\/p>

Jaana Caspary (*1988 in Wuppertal) studierte von 2007 bis 2014 an der Kunstakademie D\u00fcsseldorf und war Meistersch\u00fclerin von Prof. Didier Vermeiren. W\u00e4hrend ihrer Ausbildung arbeitete sie als Assistentin im Atelier von Tony Cragg. Ausgangspunkt ihrer Skulpturen sind allt\u00e4gliche, reale Gegenst\u00e4nde. Diese werden - einmal ausgew\u00e4hlt - zun\u00e4chst abgeformt und dann gespiegelt, vervielf\u00e4ltigt, verschoben, verdreht und wieder neu zusammengesetzt.\u00a0<\/span><\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 387,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 388,\r\n \"attid\": 3230,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2026\/01\/5BG_F-4729-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

EL HOMBRE INVISIBLE<\/span>
Walter St\u00f6hrer<\/span><\/p>

24. Januar \u2013 7. M\u00e4rz 2026<\/span><\/p>

Das konvoluthafte, zetteldurchwachsene, obsz\u00f6ne, mit Emotionen aufgeladene Zusammenballen divergierenden Materials in Malerei und Zeichnung faszinierte den 1937 in Stuttgart geborenen, 2000 in Scholderup gestorbenen Walter St\u00f6hrer ein Leben lang. In der Ausstellung zeigen wir gro\u00dfformatige Arbeiten auf Papier und Leinwand aus drei Jahrzehnten und in au\u00dfergew\u00f6hnlicher Qualit\u00e4t, die uns der Nachlass gro\u00dfz\u00fcgigerweise zur Verf\u00fcgung gestellt hat. <\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 389,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 377,\r\n \"attid\": 3187,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-2560x1533.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-1920x1150.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-1280x767.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-1024x613.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-768x460.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-512x307.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/G_F-2440-2-265x159.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 1797,\r\n \"ar\": 0.599,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

10 JAHRE BERLIN
Horst Antes, Willi Baumeister, William N. Copley, Ambra Durante, Slawomir Elsner, Asana Fujikawa, Franziska Holstein, Karin Kneffel, Norbert Kricke, Dieter Krieg, Matti Kujasalo, Anna Leonhardt, Thomas M\u00fcller, Georg Karl Pfahler, Emilie Preyer, Claire de Santa Coloma, Saul Steinberg, Walter St\u00f6hrer, Cornelius V\u00f6lker, Michael Wutz<\/span><\/h1>

27. November 2025 \u2013 10. Januar 2026<\/span><\/p>

Die Galerie umfasst ein Spektrum, das in Berlin und dar\u00fcber hinaus einzigartig ist. Wir zeigen in derselben Qualit\u00e4t Bilder von Willi Baumeister aus dem Anfang der 1930er-Jahre wie Bilder von Karin Kneffel aus den Jahren 2004 und 2019 und von jungen zeitgen\u00f6ssischen K\u00fcnstlern respektable Arbeiten aus dem Jahr 2025.<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 379,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 366,\r\n \"attid\": 2930,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/08\/G_F-128455-1-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SO ROT, SO ROT<\/span>
Elvira Bach<\/span>

12. September \u2013 08. November 2025<\/span>

Die Galerie Friese zeigt erstmals Arbeiten Elvira Bachs mit einem Fokus auf ihre fr\u00fchen Werke aus den 1970er- und 1980er-Jahren, erg\u00e4nzt von einer Gruppe neuer Keramiken, die eigens f\u00fcr diese Ausstellung im Sommer 2025 entstanden sind. Sie zeugen von Elvira Bachs unersch\u00f6pflicher Kreativit\u00e4t, den Dingen um sie herum ihre eigene Handschrift zu verleihen und einen Ausdruck f\u00fcr die Freude am Existieren zu finden.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 368,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 359,\r\n \"attid\": 2774,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-2560x1914.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-1920x1436.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-1280x957.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-1024x766.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-768x574.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-512x383.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/07\/G_F-124837-265x198.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2243,\r\n \"ar\": 0.7476666666666667,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ON DEATH AN DREAMING
Ambra Durante
<\/span><\/div>
05. Juli \u2013 30. August 2025<\/span><\/div>

Es ist die dritte Einzelausstellung der im Jahr 2000 geborenen Ambra Durante in unserer Galerie. Sie hei\u00dft, in der Schreibweise der K\u00fcnstlerin: \u201eOn death and Dreaming\u201c. Ambra Durante spricht, wenn sie zeichnet und schreibt \u2013 den neuen Zeichnungen ist auf einem weiteren Papier ein Text beigef\u00fcgt \u2013 von sich und von uns. Sie erz\u00e4hlt von der \u201eNacht der Seele erhellt vom Witz einer t\u00e4nzerischen Intelligenz\u201c (Daniel Kehlmann).\u00a0<\/span><\/p>

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LEISE \u00c4HNLICHKEIT
Dieter Krieg, William N. Copley, Peter Dreher<\/span><\/p>

03. Mai \u2013 28. Juni 2025
<\/span>
Anl\u00e4sslich des Gallery Weekend Berlin er\u00f6ffnen wir die Ausstellung \u201eLeise \u00c4hnlichkeit\u201c, die den K\u00fcnstlern Dieter Krieg (1937-2005), William N. Copley (1919-1996) und Peter Dreher (1932-2020) gewidmet ist.<\/p>

Im Zentrum der Ausstellung steht das Werk von Dieter Krieg. Seine Kunst ist unter Aufbietung aller malerischen Aufladung eine stetige Auseinandersetzung mit Literatur, Bildender Kunst, dem Alltag, dem Leben und dem Tod. Dieter Krieg war ein Leser, und seine Malerei ist gepr\u00e4gt durch die Affinit\u00e4t zur Literatur seines Jahrhunderts, zu Sartre und Beckett, Schmidt und Flaubert, Musil und Jellinek, um einige zu nennen.<\/p>

\u00a0<\/span><\/p><\/div><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": 13,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 311,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 14,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 352,\r\n \"attid\": 2618,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/01\/G_F-115136-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SOULVA
Anna Leonhardt<\/span><\/a>

08. Februar \u2013 03. April 2025<\/span>

Wir sind es gewohnt, so wie wir es auch im Leben erfahren, in Bildern ein Nacheinander, eine zeitliche Abfolge zu lesen. Bei Anna Leonhardt k\u00f6nnte man zun\u00e4chst denken: Es gibt einen Bildhintergrund, der die Folie des Erscheinens f\u00fcr den Auftritt von gl\u00e4nzenden, schimmernden Farbformen ist. Auf den Fl\u00e4chen des Hintergrunds spielt sich ein Ereignis von Malerei ab, das viel \u00fcber Anna Leonhardts Verst\u00e4ndnis von Kunst aussagt.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 15,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 354,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 16,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 342,\r\n \"attid\": 2603,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/01\/G_F-113667-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CORNELIUS V\u00d6LKER - VON A BIS Z<\/span><\/a><\/p>

18. Januar \u2013 01. Februar 2025<\/span><\/p>

\u201eDie Motive sind f\u00fcr mich so etwas wie Widerstandskoeffizienten, an denen sich die Malerei erproben muss\u201c, sagt <\/span>Cornelius V\u00f6lker<\/span><\/a>. Seit mehr als 25 Jahren widmet er sich den Gegenst\u00e4nden und Situationen unseres allt\u00e4glichen Lebens und \u00fcberf\u00fchrt sie in seine Bildwelt. V\u00f6lkers Bilder erkennt man auf Anhieb wieder \u2013 spielerisch leicht und mit der Tradition der Kunstgeschichte im R\u00fccken hat er stilistisch wie thematisch eine eigene Form der Stilllebenmalerei gepr\u00e4gt. Und doch k\u00f6nnten die Bilder nicht unterschiedlicher sein; kontinuierlich erforscht er die M\u00f6glichkeiten, die die Malerei bieten kann.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 17,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 344,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 18,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 338,\r\n \"attid\": 2610,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/01\/G_F-113676-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WALTER ST\u00d6HRER-GRAFIK-PREIS 2024<\/a><\/p>

Ronja Look
Eleni Manolopoulos

Anerkennungspreise
Miro Boehm
Abner Braig<\/span><\/p>

18. Januar \u2013 01. Februar 2025<\/span><\/p>

Seit 2012 vergibt die Walter St\u00f6hrer-Stiftung den <\/span>Walter St\u00f6hrer-Preis f\u00fcr Grafik <\/span><\/a>im j\u00e4hrlichen Wechsel an Studierende der Akademie der Bildenden K\u00fcnste Stuttgart und der Universit\u00e4t der K\u00fcnste Berlin.\u00a0<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 19,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 340,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 20,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 326,\r\n \"attid\": 2576,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/11\/G_F-110651-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/neoromantik\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201eNEOROMANTIK\u201c \u2013 EINE POP-UP AUSSTELLUNG VON SIMON STRAU\u00df<\/a>
Nigin Beck, Lars Eidinger, Slawomir Elsner, Erika Hegewisch,
Ralph Mecke, Benyamin Reich, Anne Sch\u00f6nharting, Simon Strau\u00df, Charlotte Streicher<\/span><\/p>

16. November 2024 \u2013 11. Januar 2025<\/span><\/p>

Immer wieder die bohrende Frage: was machen wir mit unserer Empfindung? In einer Welt der Zahlen und Zuckungen, der Fakes und der Fehler, der Hetze und der Hoffnungslosigkeit \u2013 wozu da noch im Inneren graben und vielleicht eine Welt finden, die noch verletzlicher macht?<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 21,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 327,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 22,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 318,\r\n \"attid\": 2519,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/09\/G_F-107323-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/garden_of_earthly_delight\/\",\r\n \"id\": 2470,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"GARDEN OF EARTHLY DELIGHT\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GARDEN OF EARTHLY DELIGHT<\/a>
Willi Baumeister, William N. Copley, Asana Fujikawa, Karin Kneffel, Thomas Mu\u0308ller, Hartmut Neumann, Claire de Santa Coloma, Cornelius Vo\u0308lker<\/a>

<\/span>14. September \u2013 26. Oktober 2024<\/span>

William N. Copleys Gem\u00e4lde \u201eGarden of Earthly Delight\u201c bildet den Ausgangspunkt der gleichnamigen Gruppenausstellung in der Galerie Friese. 1960 gemalt, zitiert der im Umfeld von Max Ernst, Man Ray und Marcel Duchamp arbeitende Copley (1919-1996) den \u201eGarten der L\u00fcste\u201c von Hieronymus Bosch.<\/span>
<\/span><\/p><\/div><\/div><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": 23,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 320,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 24,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 312,\r\n \"attid\": 2418,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-2560x1920.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-1920x1440.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-1280x960.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-1024x768.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-768x576.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-512x384.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/06\/Unknown-1-265x199.jpeg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/mouvements\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MOUVEMENTS<\/a>
<\/span>Robert Schad<\/span><\/a><\/p>

29. Juni \u2013 31. August 2024<\/span><\/p>

Schads Arbeiten vereinen zwei Gestaltungsformen: Zeichnung und Plastik. Die Zeichnungen sind elementarer Ausdruck des K\u00fcnstlers: der Gedanken, der Idee, der Abstraktion. Im Zentrum des Werks steht die Linie \u2013 als urspr\u00fcngliche Ausdrucksform des Menschen, um die Natur zu abstrahieren <\/span>und mit der menschlichen Existenz zu verbinden<\/span>. Seine Skulpturen verk\u00f6rpern die Bewegung aus den Zeichnungen als plastische Linie im Raum und machen sie konkret erfahrbar. Schad konzipiert diese Dynamik auch als Kraft im sozialen und kulturellen Lebensraum, den seine Skulpturen einnehmen.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 25,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 313,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 26,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 306,\r\n \"attid\": 2350,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415.jpeg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-3840x2880.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-3200x2400.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-2560x1920.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-1920x1440.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-1280x960.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-1024x768.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-768x576.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-512x384.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/04\/G_F-102415-265x199.jpeg\"\r\n },\r\n \"w\": 4000,\r\n \"h\": 3000,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/neue-arbeiten\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

NEUE ARBEITEN<\/a>
Franziska Holstein<\/a><\/span><\/p>

27. April \u2013 19. Juni 2024

Wir freuen uns, im Rahmen des Gallery Weekend Berlin die dritte Einzelausstellung der Leipziger Malerin Franziska Holstein (*1978) in der Galerie zu ero\u0308ffnen. Anschlie\u00dfend an ihre umfangreiche Einzelausstellung im Von der Heydt-Museum Wuppertal im letzten Jahr arbeitete die Ku\u0308nstlerin an einem Komplex neuer Leinwa\u0308nde, Wandmalereien und Wandarbeiten aus Holz, die sie ab dem 27. April in ihrer Ausstellung \u201eNeue Arbeiten\u201c in der Galerie Friese ausstellt.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 27,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 308,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/02\/Willi-Baumeister_Schwarzer-Fels_metaphysisch_1955.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 28,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 298,\r\n \"attid\": 2209,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/02\/Willi-Baumeister_Schwarzer-Fels_metaphysisch_1955.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/02\/Willi-Baumeister_Schwarzer-Fels_metaphysisch_1955-768x618.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/02\/Willi-Baumeister_Schwarzer-Fels_metaphysisch_1955-512x412.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/02\/Willi-Baumeister_Schwarzer-Fels_metaphysisch_1955-265x213.jpg\"\r\n },\r\n \"w\": 1024,\r\n \"h\": 824,\r\n \"ar\": 0.8046875,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/begegnung-zweier-kuenstler\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": true,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

BEGEGNUNG ZWEIER K\u00dcNSTLER IN DEN 1950ER JAHREN
<\/span><\/a>Willi Baumeister<\/span><\/a> & <\/span><\/a><\/a>Georg Karl Pfahler<\/a><\/p>

10. Februar \u2013 13. April 2024

In Willi Baumeisters (1889-1955) Werk vollzieht sich die Geschichte der europ\u00e4ischen Kunst der ersten H\u00e4lfte des 20. Jahrhunderts: Von der Abstraktion \u2013 bei Baumeister ausgehend von der menschlichen Figur \u2013 \u00fcber eine gegenstandslose, organische Phase, hin zur Erforschung einer sich im Werk vollziehenden Formbildung, die die Grenze zum Figurativen immer neu auslotet.
An der Stuttgarter Kunstakademie traf Georg Karl Pfahler (1926-2002) auf Baumeister und studierte bis 1954 in seiner Klasse. Pfahlers fr\u00fche Werke zeigen die Pr\u00e4gungen des Lehrers und seines Sp\u00e4twerks der schwarzen schwebenden Formen. Doch Pfahler fand bald seinen eigenen Kosmos.
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SO SWEET, SO DEAD<\/a>
Cornelius V\u00f6lker<\/p>

04. November \u2013 20. Januar 2024<\/span><\/p>

Malerei muss heute vor allem ihre Konsequenz beweisen. Es gibt den roten Faden in V\u00f6lkers Werk, der von den fr\u00fchen Arbeiten bis heute immer wieder die Frage stellt und auf jeweils atemberaubende Weise beantwortet: Wie kann Kunst werden, wie k\u00f6nnen Bilder sein, was sagt uns das, gerade heute?
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MALEREI<\/a>
<\/span>Anna Leonhardt<\/a><\/p>

16. September \u2013 28. Oktober 2023
<\/span><\/p>

<\/em>Anna Leonhardt besch\u00e4ftigt sich in ihrer Malerei mit Farbe, K\u00f6rper und Raum. Durch das Formen und Schichten der Farbe mit dem Spachtel erzeugt sie polychrome, plastisch durchgearbeitete Farbfl\u00e4chen mit starker Textur und r\u00e4umlicher Tiefenwirkung, auf denen abstrakte Farbk\u00f6rper schweben. Durch die sukzessive Transformation von Farbe, Gestalt, Raum und Licht entsteht ein spannungsvolles Verh\u00e4ltnis von Figur und Grund.
Leonhardts fr\u00fchere gegenst\u00e4ndliche und fig\u00fcrliche Kompositionen l\u00f6sten sich im Laufe der Zeit immer weiter in aneinandersto\u00dfende Farbfl\u00e4chen auf, bis sie zu einer konsequenten abstrakten Malerei gelangte, bei der der Arbeitsprozess im Vordergrund steht.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 33,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 291,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 34,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 284,\r\n \"attid\": 2074,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/09\/12_G_F-89624-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/claire-de-santa-coloma-volver\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

VOLVER<\/a>
<\/span>Claire de Santa Coloma<\/a><\/p>

16. September \u2013 28. Oktober 2023
<\/span><\/p>

<\/em>Claire de Santa Colomas Skulpturen aus gefundenen oder ihr zugetragenen H\u00f6lzern befragen zentrale Themen der Skulptur sowie die ihr zugrunde liegenden gestalterischen Mittel. Gezielt spielt sie auf das Vokabular der abstrakten Skulptur des 20. Jahrhunderts an \u2013 als eine Art Archetyp der Gattung \u201eSkulptur\u201c. Ihre neuen Werke weisen eine f\u00fcr die K\u00fcnstlerin neuartige Fig\u00fcrlichkeit auf; sie erinnern an K\u00f6rper, Kult- und Fetischobjekte, oder suggerieren \u2013 einer Umkehrlogik folgend \u2013 einen \u201eNegativraum\u201c f\u00fcr den K\u00f6rper. <\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 35,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 287,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 36,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 272,\r\n \"attid\": 1939,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/06\/G_F-85628-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/figur\/\",\r\n \"id\": 1897,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"FIGUR\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

FIGUR<\/a>
<\/span>Horst Antes, Willi Baumeister, Karl H. H\u00f6dicke, Karin Kneffel, Walter St\u00f6hrer, Cornelius V\u00f6lker<\/a><\/p>

30. Juni \u2013 31. August 2023<\/span><\/p>

Figur\u00a0<\/span><\/em>\u2013 so nennen wir unsere Ausstellung mit Werken von Horst Antes, Willi Baumeister, Karl Horst H\u00f6dicke, Karin Kneffel, Walter St\u00f6hrer und Cornelius V\u00f6lker.<\/p>

Aus dem\u00a0<\/span>Aru<\/em>\u00a0<\/span>von Willi Baumeister springt uns die vollendete Synthese des Begriffs an: Eine abstrakte Figur ist zun\u00e4chst eine schwarze Fl\u00e4che \u2013 und mit jedem Blick verschiebt sich ihre Gewichtung. Mal meint man, einem Rohrschachtest beizuwohnen, dann taucht ein Gesicht auf, eine fast heftige gestische Bewegung, pl\u00f6tzlich ruht die Fl\u00e4che ganz in sich. Und in diesem Auftauchen von sich stetig wandelnden Bedeutungsebenen vollzieht sich das Gesicht der Ausstellung.<\/p><\/div><\/div>\",\r\n \"align\": \"middle\",\r\n \"row\": 37,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 275,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20.jpg\",\r\n \"align\": \"onethird\",\r\n \"row\": 38,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 631,\r\n \"attid\": 1779,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/03\/ENFANT-TERRIBLE_William-N-Copley_Ambra-Durante_Galerie-Friese_Foto-Eric-Tschernow_20-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ENFANT TERRIBLE<\/span><\/a>
William N. Copley, Ambra Durante<\/p>

&
VOTIVPFERDE<\/p>

13. M\u00e4rz \u2013 15. April 2023<\/span><\/h2>

William N. Copley und Ambra Durante, der eine 1919 geboren, die andere im Jahr 2000, sind zwei K\u00fcnstler*innen, die zu den Self-Taught-Artists geh\u00f6ren, die mit h\u00f6chster Kunstfertigkeit ihre Bildthemen unmittelbar aus dem eigenen (Er)Leben sch\u00f6pfen. Parallel in Kooperation mit International Wardrobe Berlin eine Herde von Votivpferden aus Poshina im indischen Bundesstaat Gujarat.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 39,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 240,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 40,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 627,\r\n \"attid\": 1563,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/01\/G_F-77804-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/die-welt-vom-sechsten-schoepfungstag\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

DIE WELT VOM SECHSTEN SCH\u00d6PFUNGSTAG<\/a><\/a><\/p>

28. Januar \u2013 04. M\u00e4rz 2023<\/span><\/span><\/span><\/h1>

Bilder und Arbeiten auf Papier von: <\/span><\/h1>

Peter Dreher (1932\u20132020), Amalie K\u00e4rcher (1819\u20131887), Karin Kneffel (*1957), Dieter Krieg (1937\u20132005), Ferdinand K\u00fcss (1800\u20131886), Emilie Preyer (1849\u20131930), Johann Wilhelm Preyer (1803\u20131889), Thomas Sch\u00fctte (*1954), Adolf Senff (1785\u20131863), Cornelius V\u00f6lker (*1965)<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 41,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 205,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 42,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 596,\r\n \"attid\": 1481,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/G_F-74333-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/matti-kujasalo-paintings\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

PAINTINGS<\/a><\/span>
Matti Kujasalo<\/a><\/span><\/p>

05. November 2022 \u2013 14. Januar 2023<\/span><\/h2>

In Matti Kujasalos zweiter Einzelausstellung in der Galerie Friese liegt der Fokus auf seinen in den letzten Jahren entstandenen und aktuellen Malereien, in denen die Farbe eine immer zentralere Rolle spielt.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 43,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 594,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 44,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 397,\r\n \"attid\": 1519,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt.jpg\",\r\n \"_4096\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-4096x1950.jpg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-3840x1828.jpg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-3200x1523.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-2560x1219.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-1920x914.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-1280x609.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-1024x487.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-768x366.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-512x244.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/11\/Flyer-Deckblatt-265x126.jpg\"\r\n },\r\n \"w\": 4762,\r\n \"h\": 2267,\r\n \"ar\": 0.4760604787904242,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/strange-ive-seen-that-face-before\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

STRANGE, I'VE SEEN THAT FACE BEFORE<\/a><\/span><\/p>

Walter St\u00f6hrer-Grafik-Preis 2021\/22 der Walter St\u00f6hrer-Stiftung f\u00fcr Studierende an Kunsthochschulen<\/span><\/h2>

Preistr\u00e4gerin: Friederike Goebbels<\/span>
Annerkennungspreise:\u00a0Lena Valenzuela de la Hoz,\u00a0Emma Zimmermann<\/span><\/h2>

10. Dezember \u2013 23. Dezember 2022<\/span><\/h2>\",\r\n \"align\": \"top\",\r\n \"row\": 45,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375.jpg\",\r\n \"align\": \"onethird\",\r\n \"row\": 46,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1560,\r\n \"attid\": 1467,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-2560x2088.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-1920x1566.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-1280x1044.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-1024x835.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-768x626.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-512x418.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/G_F-74375-265x216.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2447,\r\n \"ar\": 0.8156666666666667,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/friedrich-teepe\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Friedrich Teepe<\/a><\/span><\/p>

05. November \u2013 03. Dezember 2022<\/span><\/h2>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 47,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1561,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960.jpg\",\r\n \"align\": \"onethird\",\r\n \"row\": 48,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 394,\r\n \"attid\": 1367,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/09\/G_F-69960-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"\/romane-holderried-kaesdorf-zeichnerei-des-dringenden-motivs\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNEREI DES DRINGENDEN MOTIVS<\/a>
<\/span>Romane Holderried Kaesdorf<\/span><\/p>

17. September \u2013 29. Oktober 2022<\/span><\/h2>

Die in Zusammenarbeit mit dem Nachlass entstandene Ausstellung versammelt Malereien und Zeichnungen aus vier Jahrzehnten, in denen sich eine eigenwillige, doch sehr zug\u00e4ngliche Welt immer wiederkehrender Figuren und Objekte entfaltet.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 49,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 396,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 50,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 435,\r\n \"attid\": 1393,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/09\/G_F-69944-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/william-william-copley\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WILLIAM N. COPLEY<\/span><\/span><\/span><\/span><\/a><\/p>

17. September \u2013 29. Oktober 2022<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 51,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 47,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/06\/1.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 52,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 395,\r\n \"attid\": 1263,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/06\/1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/06\/1-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/06\/1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/06\/1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/06\/1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/06\/1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/06\/1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/06\/1-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/mueller-stoehrer\/\",\r\n \"id\": 0,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

THOMAS M\u00dcLLER & WALTER ST\u00d6HRER<\/span><\/a><\/span><\/p>

18. Juni \u2013 31. August 2022<\/p>

Zwei k\u00fcnstlerische Temperamente bringen wir in dieser Ausstellung zusammen, deren Werk wir mit gro\u00dfer Begeisterung vertreten.<\/span><\/p><\/div><\/td><\/tr><\/tbody><\/table>\",\r\n \"align\": \"bottom\",\r\n \"row\": 53,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/04\/Install_1b.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 54,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 621,\r\n \"attid\": 1168,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/04\/Install_1b.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-2560x1884.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-1920x1413.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-1280x942.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-1024x754.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-768x565.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-512x377.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/04\/Install_1b-265x195.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2208,\r\n \"ar\": 0.736,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/horst-antes-7-haeuser\/\",\r\n \"id\": 1161,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"7 H\u00e4user\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

7 H\u00c4USER<\/span><\/span><\/a>
<\/span>Horst Antes<\/a><\/span><\/h1>

30. April \u2013 11. Juni 2022<\/span><\/h2>

Wir er\u00f6ffnen im Rahmen des Gallery Weekend 2022 unsere erste Einzelausstellung des K\u00fcnstlers Horst Antes (*1936).\u00a0<\/p>

In seiner Ausstellung\u00a07 H\u00e4user<\/em>\u00a0zeigt Antes sieben monumentale, teils mehrteilige Bilder, die die f\u00fcr Antes typischen, dunkel-reduzierten H\u00e4user zeigen. Die Werke, darunter auch neu entstandene Arbeiten, sind in der von dem K\u00fcnstler selbst kuratierten Zusammenschau erstmalig zu sehen.\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 55,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 56,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1144,\r\n \"attid\": 1164,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/04\/G_F-61214-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/daniel-topka-stop-kitten-production\/\",\r\n \"id\": 1166,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Stop Kitten Production & Dekadenz I\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

STOP KITTEN PRODUCTION & DEKADENZ I<\/span><\/span><\/span><\/span><\/a>
Daniel Topka<\/a><\/p>

Neue Vasen und Keramiken im Salon Friese<\/p>

zum Gallery Weekend Berlin 2022<\/p>

29. April \u2013 07. Mai 2022<\/p>

Parallel zu unserer Einzelausstellung mit Werken von Horst Antes in unseren Galerier\u00e4umen, zeigen wir im Salon Friese vom 29. April bis 07. Mai 2022 neue Arbeiten von Daniel Topka: eine Serie von neun mundgeblasenen Glasvasen mit dem Titel \u00bbStop Kitten Production\u00ab sowie Keramiken aus der Serie \u00bbDekadenz I\u00ab.<\/p>

\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 57,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 58,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 391,\r\n \"attid\": 1112,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/2022-03-14-Friese58148-265x199.jpg\"\r\n },\r\n \"w\": 2667,\r\n \"h\": 2000,\r\n \"ar\": 0.7499062617172854,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"imagelink\": {\r\n \"url\": \"https:\/\/www.galeriefriese.de\/edouard-baribeaud-es-war-einmal\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\",\r\n \"hoverimagetype\": \"\",\r\n \"hoverimageposition\": \"\",\r\n \"hoverimagepreactivated\": \"\",\r\n \"hoverimageshowon\": \"\"\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ES WAR EINMAL...<\/span><\/span><\/a>
<\/span>Edouard Baribeaud<\/p>

12. M\u00e4rz \u2013 22. April 2022<\/span><\/h2>

Der deutsch-franz\u00f6sische K\u00fcnstler Edouard Baribeaud (*1984 in Versailles, lebt in Berlin) inszeniert in seinen Werken auf Papier Mythen, Geschichten und Bildtraditionen auf der B\u00fchne der Kunst.\u00a0<\/p>

\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 59,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 392,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 60,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 592,\r\n \"attid\": 1100,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58122-265x199.jpg\"\r\n },\r\n \"w\": 2667,\r\n \"h\": 2000,\r\n \"ar\": 0.7499062617172854,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/willi-baumeister-raum-1\/\",\r\n \"id\": 1098,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Willi Baumeister\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WILLI BAUMEISTER<\/span> <\/a><\/span><\/p>

12. M\u00e4rz \u2013 22. April 2022<\/span><\/h2>

Parallel zu unserer Einzelausstellung mit Werken von Edouard Baribeaud zeigen wir Gem\u00e4lde und Zeichnungen von Willi Baumeister aus den 1940er und 1950er Jahren.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 61,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 46,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 62,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 911,\r\n \"attid\": 1092,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-2560x1854.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-1920x1391.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-1280x927.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-1024x742.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-768x556.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-512x371.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/1_2022-03-14-Friese58085-265x192.jpg\"\r\n },\r\n \"w\": 2761,\r\n \"h\": 2000,\r\n \"ar\": 0.7243752263672583,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/daniel-topka-dekadenz-1\/\",\r\n \"id\": 1091,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Daniel Topka | Dekadenz I (2021-22)\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

DEKADENZ I (2021-22)<\/span><\/span><\/span><\/span><\/a>
Daniel Topka<\/span><\/a><\/p>

12. M\u00e4rz \u2013 22. April 2022<\/span><\/h2>

Parallel zu unserer aktuellen Einzelausstellung mit Werken von Edouard Baribeaud pr\u00e4sentieren wir eine neue Serie von zehn glasierten Keramiken von Daniel Topka mit dem Titel \\\"Dekadenz I\\\", entstanden 2021-22.<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 63,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 45,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 64,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 658,\r\n \"attid\": 1085,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Norbert-Kricke_Installationsansichten_Foto-Eric-Tschernow_9-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/norbert-kricke-raum-fassen-raum-lassen\/\",\r\n \"id\": 1077,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Norbert Kricke | Raum fassen \u2014 Raum lassen Werke 1954 \u2013 1984\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

RAUM FASSEN - RAUM LASSEN WERKE 1954\u20131984<\/span><\/span><\/span><\/span><\/a>
Norbert Kricke<\/span><\/p>

01. Dezember 2021 \u2013 02. M\u00e4rz 2022<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 65,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 44,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 66,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 941,\r\n \"attid\": 1065,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-52427-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/editionen-1\/\",\r\n \"id\": 1056,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Editionen I\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

EDITIONEN I<\/span><\/span><\/a>
<\/span>William N. Copley<\/a>, Felix Droese<\/a>, Asana Fujikawa<\/a>, Franziska Holstein<\/a>, Karin Kneffel<\/a>, Dieter Krieg<\/a>, Via Lewandowsky<\/a>, Claire de Santa Coloma<\/a>, Walter St\u00f6hrer<\/a>, Daniel Topka<\/a>, Cornelius V\u00f6lker<\/a>, Michael Wutz<\/a><\/span><\/p>

12. \u2013 23. November 2021<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 67,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 43,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 68,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 630,\r\n \"attid\": 1047,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Ambra-Durante_Lack-of-sleep-is-my-eye-shadow_Galerie-Friese_Foto-Eric-Tschernow_1-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/ambra-durante-lack-of-sleep-is-my-eyeshadow\/\",\r\n \"id\": 1045,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Ambra Durante | Lack of sleep is my eye shadow\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

LACK OF SLEEP IS MY EYE SHADOW<\/span><\/span><\/a>
<\/span>Ambra Durante<\/span><\/a><\/p>

15. September \u2013 30. Oktober 2021<\/span><\/h2>

\u00a0<\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 69,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 42,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 70,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1461,\r\n \"attid\": 1034,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-49934-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/asana-fujikawa-einmal-fielen-weise-tropfen\/\",\r\n \"id\": 1032,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Asana Fujikawa | Einmal fielen wei\u00dfe Tropfen aus deiner Brustwarze auf meinen St\u00f6ckelschuh, wei\u00dft du noch?\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

EINMAL FIELEN WEISSE TROPFEN AUS DEINER BRUSTWARZE AUF MEINEN ST\u00d6CKELSCHUH, WEISST DU NOCH? <\/a>
<\/span>Asana Fujikawa<\/span><\/a><\/p>

15. September \u2013 30. Oktober 2021<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 71,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 41,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 72,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1436,\r\n \"attid\": 1026,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-48480-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/karin-kneffel-mies-in-mind\/\",\r\n \"id\": 1022,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Karin Kneffel | Anl\u00e4sslich von INDEX Berlin \u00bbMies in Mind\u00ab\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

KARIN KNEFFEL | ANL\u00c4SSLICH VON INDEX BERLIN \u00bbMIES IN MIND\u00ab<\/span><\/span><\/span><\/span><\/a><\/p>

20. August \u2013 08. September 2021<\/span><\/h2>

\u00a0<\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 73,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 40,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 74,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1223,\r\n \"attid\": 1015,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-2560x1850.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-1920x1388.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-1280x925.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-1024x740.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-768x555.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-512x370.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-48562-265x192.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2168,\r\n \"ar\": 0.7226666666666667,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/mies-in-mind\/\",\r\n \"id\": 1008,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Mies in Mind\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

MIES IN MIND<\/span><\/span><\/a>
<\/span>Willi Baumeister<\/a>, Klaus Heinrich, Franziska Holstein<\/a>, Claire de Santa Coloma<\/a> und Daniel Topka<\/a><\/span><\/p>

20. August \u2013 08. September 2021<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 75,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 39,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 76,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1410,\r\n \"attid\": 1003,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-2560x1554.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-1920x1165.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-1280x777.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-1024x622.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-768x466.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-512x311.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installation11_Krieg-265x161.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 1821,\r\n \"ar\": 0.607,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/7-kuenstler-7-raueme\/\",\r\n \"id\": 990,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"7 K\u00fcnstler*innen \u2013 7 R\u00e4ume\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

7 K\u00dcNSTLER*INNEN - 7 R\u00c4UME<\/span><\/a>
<\/span>William N. Copley<\/a>,<\/span> Franziska Holstein<\/a>,<\/span> Karin Kneffel<\/a>, Dieter Krieg<\/a>,<\/span> Thomas M\u00fcller<\/a>, Georg Karl Pfahler<\/a>, Cornelius V\u00f6lker<\/a><\/span><\/span><\/p>

01. \u2013 17. April 2021<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 77,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 38,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 78,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 3471,\r\n \"attid\": 147,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-2560x1655.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-1920x1242.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-1280x828.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-1024x662.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-768x497.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-512x331.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/05\/Claire-Santa-Coloma-Galerie-Friese-265x171.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 1940,\r\n \"ar\": 0.6466666666666666,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/claire-de-santa-coloma-inner\/\",\r\n \"id\": 150,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"INNER\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

INNER<\/span><\/span><\/a>
Claire de Santa Coloma<\/span><\/a><\/p>

28. April \u2013 27. Juni 2021<\/span><\/h2>

\u00a0<\/p>

\u00a0<\/p>

\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 79,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 3472,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 80,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1217,\r\n \"attid\": 988,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installation_9-2-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/walter-stohrer-feed-back\/\",\r\n \"id\": 978,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Walter St\u00f6hrer | Feed-back beweists, Feed-back ist Gesetz\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

FEED-BACK BEWEISTS, FEED-BACK IST GESETZ<\/span> <\/span><\/a>
Walter St\u00f6hrer<\/span><\/a><\/p>

23. Januar \u2013 28. M\u00e4rz 2021<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 81,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 37,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 82,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 674,\r\n \"attid\": 973,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Brave-New-World_Walter-Stohrer-Grafik-Preis-2019_Foto-Eric-Tschernow_11-265x199.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2250,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/brave-new-world\/\",\r\n \"id\": 964,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Brave New World\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

BRAVE NEW WORLD<\/span><\/span><\/a><\/p>

Preistr\u00e4ger: Daniel Topka<\/a>
Anerkennungspreise: Elke Burkert, Frank Jimin Hopp, Daniel Schaal<\/h2>

22. Januar \u2013 19. Februar 2021<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 83,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 36,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/04\/ausst-newtoncopley2020-002.2.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 84,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 625,\r\n \"attid\": 88,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/04\/ausst-newtoncopley2020-002.2.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/04\/ausst-newtoncopley2020-002.2-512x305.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/04\/ausst-newtoncopley2020-002.2-265x158.jpg\"\r\n },\r\n \"w\": 600,\r\n \"h\": 357,\r\n \"ar\": 0.595,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/william-copley-ausstellungen\/\",\r\n \"id\": 953,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"William N. Copley Ausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

HELMUT NEWTON | WILLIAM N. COPLEY<\/span><\/span><\/a><\/p>

In Kooperation mit Kicken Berlin und Meyer Riegger<\/p>

31. Oktober 2020 \u2013 16. Januar 2021<\/span>

<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>

\u00a0<\/p>

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RE\/KONSTRUKTION & FORM UND FIGUR<\/span><\/span><\/a>
Karin Kneffel<\/a> & Willi Baumeister<\/a><\/span><\/p>

09. September \u2013 24. Oktober 2020<\/span><\/h2>

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TRAURIGE TOPOI<\/span><\/span><\/a>
Michael Wutz<\/span><\/a><\/p>

18. Juli \u2013 29. August 2020<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 89,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 33,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 90,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 930,\r\n \"attid\": 924,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-2560x1879.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-1920x1409.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-1280x940.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-1024x752.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-768x564.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-512x376.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-13696-265x195.jpg\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2202,\r\n \"ar\": 0.734,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/still-leben\/\",\r\n \"id\": 911,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Still Leben\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

STILL LEBEN<\/span><\/span><\/a>
Joseph Beuys, Anna und Bernhard Blume, Asana Fujikawa,<\/a> Karin Kneffel<\/a>, Dieter Krieg<\/a>, Heinrich K\u00fchn, Ferdinand K\u00fcss, Via Lewandowsky<\/a>, Hartmut Neumann<\/a>, Walter Peterhans, Norbert Prangenberg, Emilie Preyer, Dieter Roth, Thomas Sch\u00fctte, Kurt Schwitters, Norbert Schwontkowski, Saul Steinberg<\/a>, Josef Sudek, Cornelius V\u00f6lker<\/a><\/span><\/p>

18. Mai \u2013 26. Juni 2020<\/span><\/h2>

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ON PAPER ONLY<\/span><\/span>
Cornelius V\u00f6lker<\/a>\u00a0<\/span><\/p>

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ZEICHNUNGEN<\/a><\/span>
Klaus Heinrich<\/span><\/p>

01. \u2013 22. Februar 2020<\/span><\/h2>

148 Zeichnungen und 10 Skizzenb\u00fccher von 1955 bis 2020<\/h2>

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MALEREI AUF PAPIER<\/span><\/span><\/a>
Franziska Holstein<\/span><\/a><\/p>

15. November 2019 \u2013 18. Januar 2020<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 97,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installation_2.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 98,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1208,\r\n \"attid\": 868,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installation_2.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installation_2-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installation_2-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installation_2-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installation_2-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installation_2-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installation_2-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/thomas-muller-zeichnungen\/\",\r\n \"id\": 865,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Thomas M\u00fcller Ausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNUNGEN<\/span><\/span><\/a>
Thomas M\u00fcller<\/span><\/a><\/h1>

06. September \u2013 02. November 2019<\/span><\/h2>

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INVENTUR I: DIE DINGE<\/span><\/span><\/a>
Horst Ademeit, Mary Bauermeister, Thomas Bayrle, Joseph Beuys, Michael Buthe, William N. Copley<\/a>, Felix Droese<\/a>, Max Ernst, Thomas Gr\u00fcnfeld, K.H. H\u00f6dicke,<\/a> Franziska Holstein<\/a>, Karin Kneffel<\/a>, Dieter Krieg<\/a>, Jari Kylli<\/a>, Hartmut Neumann<\/a>, Albrecht Sch\u00e4fer, Andreas Schulze, Thomas Sch\u00fctte, Saul Steinberg<\/a> und Cornelius V\u00f6lker<\/a><\/span><\/h1>

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LIFE, LIBERTY, AND THE PURSUIT OF HAPPINESS<\/span><\/span><\/a>
William N. Copley<\/a>, Robert Frank, Saul Leiter und Saul Steinberg<\/a><\/span><\/h1>

26. April \u2013 04. Juli 2019<\/span><\/h2>

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AUF DEM WEG ZUM MOTIV. ZEITGEN\u00d6SSISCHE K\u00dcNSTLER TREFFEN AUF WILLI BAUMEISTER<\/span> <\/span><\/a>
Willi Baumeister<\/a>, Edouard Baribeaud, Lubna Chowdhary, Manisha Parekh, Claire de Santa Coloma<\/a>, Andreas Schulze, Anna Virnichs, Pedro Wirz, Michael Wutz<\/a><\/span><\/h1>

26. Januar \u2013 06. April 2019<\/span><\/h2>

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\u00dcBERSPANNUNGEN 1965\u20131969<\/span><\/span><\/a>
Bernd Koberling |\u00a0Christiane Baumgartner<\/span>
Franz Gertsch | R\u00fcschegg I<\/span><\/h1>

10. November 2018 \u2013 19. Januar 2019<\/span><\/h2>

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SEKUNDEN<\/span><\/span><\/a>
J\u00fcrgen Klauke + Special Guests by Kicken Berlin<\/span><\/p>

21. September \u2013 03. November 2018<\/span><\/h2>

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FRAGMENTE<\/span><\/span><\/a>
Dave Bopp<\/span><\/p>

27. Juli \u2013 01. September 2018<\/span><\/h2>

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FRAGMENTE<\/span><\/span><\/a>
Roman Kochanski<\/span><\/p>

27. Juli \u2013 01. September 2018<\/span><\/h2>

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ALLEN MALERN HERZLICHEN DANK<\/span><\/a>
<\/span>Dieter Krieg<\/span><\/p>

Und Arbeiten von William N. Copley, Tatjana Doll und Andreas Schulze<\/span><\/h2>

08. Juni \u2013 21. Juli 2018<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 115,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 21,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 116,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 640,\r\n \"attid\": 767,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-1920x1426.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-1280x950.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-1024x760.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-768x570.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-512x380.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Georg-Karl-Pfahler_Spirit-of-Reality_Installation_1-265x197.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1485,\r\n \"ar\": 0.7425,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/georg-karl-pfahler-spirit-of-reality\/\",\r\n \"id\": 765,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Georg Karl Pfahler | Spirit of Reality\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SPIRIT OF REALITY<\/span><\/span><\/a>
Georg Karl Pfahler\u00a0<\/span><\/p>

27. April \u2013 02. Juni 2018<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 117,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 20,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 118,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 645,\r\n \"attid\": 756,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Felix-Droese_Installation_1-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/felix-droese-aus-einer-privatsammlung\/\",\r\n \"id\": 754,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Felix Droese | Aus einer Privatsammlung\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

AUS EINER PRIVATSAMMLUNG<\/span><\/span><\/a>
Felix Droese<\/span><\/p>

23. M\u00e4rz \u2013 21. April 2018<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 119,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 120,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 628,\r\n \"attid\": 744,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansicht_Matti-Kujasalo_Werke-1973-2017_1-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/matti-kujasalo-einzelausstellung\/\",\r\n \"id\": 742,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Matti Kujasalo | Einzelausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

WERKE 1973\u20132017<\/span><\/span><\/a>
Matti Kujasalo<\/span><\/p>

19. Januar \u2013 17. Februar 2018<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 121,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 122,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 607,\r\n \"attid\": 738,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Installationsansichten_Achim-Duchow_Gedanken-zur-Zeit_6-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/achim-duchow-ausstellungen\/\",\r\n \"id\": 733,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Achim Duchow Ausstellungen\",\r\n \"catid\": 4,\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GEDANKEN ZUR ZEIT | READY-MADES UND BILDER
<\/span>Achim Duchow<\/span><\/a><\/p>

17. November 2017 \u2013 13. Januar 2018<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 123,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 17,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 124,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 924,\r\n \"attid\": 728,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/L1003662bearbeitet-265x177.jpg\"\r\n },\r\n \"w\": 766,\r\n \"h\": 512,\r\n \"ar\": 0.6684073107049608,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/cornelius-voelker-ausstellungen\/\",\r\n \"id\": 722,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Cornelius V\u00f6lker | Ausstellungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CLOSE<\/span><\/span><\/a>
Cornelius V\u00f6lker<\/span><\/p>

08. September \u2013 11. November 2017<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 125,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 126,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1855,\r\n \"attid\": 718,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/G_F-17680-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/karl-bohrmann-arbeiten-auf-papier\/\",\r\n \"id\": 711,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Karl Bohrmann | Arbeiten auf Papier\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ARBEITEN AUF PAPIER<\/span><\/span><\/a>
Karl Bohrmann<\/span><\/p>

08. Juli \u2013 02. September 2017<\/span><\/h2>\",\r\n \"align\": \"bottom\",\r\n \"row\": 127,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 15,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11.jpg\",\r\n \"align\": \"bottom\",\r\n \"row\": 128,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 588,\r\n \"attid\": 704,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/03\/Ausstellungsansichten_Peter-Handke-Zeichnungen_11-265x199.jpg\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1500,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/peter-handke-zeichnungen\/\",\r\n \"id\": 700,\r\n \"type\": \"project\",\r\n \"newtab\": false,\r\n \"title\": \"Peter Handke | Zeichnungen\",\r\n \"catid\": [\r\n 4\r\n ],\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZEICHNUNGEN<\/span><\/span><\/a>
Peter Handke<\/span><\/h1>

23. Juni \u2013 02. September 2017<\/span><\/h2>

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AUSSTELLUNG SKULPTUR #1<\/span><\/span><\/a><\/h1>

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WIE ES IST<\/span><\/span><\/a>
Walter St\u00f6hrer<\/span><\/h1>

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IN DEN KABINETTEN<\/span><\/span><\/a>
Hedwig Eberle<\/span><\/h1>

17. M\u00e4rz \u2013 17. Mai 2017<\/span><\/p>

In Zusammenarbeit mit Michael Jahn<\/span><\/p>

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ARBEITEN AUF PAPIER UND SKULPTUREN<\/span><\/span><\/a>
Jari Kylli<\/h1>

21. Januar \u2013 11. M\u00e4rz 2017<\/span><\/p>

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IN DEN KABINETTEN<\/a>
<\/span>Felix Droese, Via Lewandowsky und Michael Wutz<\/span><\/p>

21. Januar \u2013 11. M\u00e4rz 2017<\/span><\/p>

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NACH DEM SCHAUER<\/span><\/span><\/a>
Karl Horst H\u00f6dicke<\/span><\/p>

28. Oktober \u2013 14. Januar 2017<\/span><\/p>



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Franziska Holstein<\/a><\/span><\/p>

2. September \u2013 22. Oktober 2016<\/span><\/p>

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LEO ERB & IN DEN KABINETTEN: GR\u00dcN II<\/a><\/span><\/p>

8. Juli \u2013 26. August 2016<\/span><\/p>

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MNEMONIS<\/a>
Konstantino Dregos<\/span><\/p>

27. Mai \u2013 2. Juli 2016<\/span><\/p>

\u00a0<\/span><\/h1>

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IN DEN KABINETTEN: VON BLECHEN BIS VOLTERRANO - ZEICHNUNGEN AUS DEM 16. \u2013 19. JAHRHUNDERT
In Kooperation mit Martin Gr\u00e4ssle Kunsthandel<\/span><\/p>

1. Mai \u2013 29. Mai 2016<\/span><\/p>

\u00a0<\/p>

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VON MAX UND WUTZ<\/a>
<\/span>Michael Wutz und Gabriel von Max<\/span><\/p>

8. April \u2013 21. Mai 2016<\/span><\/p>

\u00a0<\/p>

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SCHMUTZIGE GESCHICHTE<\/a><\/span>
Felix Droese<\/span><\/p>

5. Februar \u2013 2. April 2016<\/span><\/p>

\u00a0<\/p>

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ES AUFNEHMEN MIT DEM LEBEN\u00a0<\/a><\/span>
William N. Copley und Saul Steinberg<\/span><\/p>

4. Dezember \u2013 30. Januar 2016<\/span><\/p>

\u00a0<\/p>

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LINKS<\/a><\/span>
Karin Kneffel<\/span><\/p>

11. September \u2013 23. November 2015<\/span><\/p>

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DA\u00df MAN IMMER ESSEN MU\u00df<\/a><\/span>
Dieter Krieg<\/span><\/p>

10. Juli \u2013 5. September 2015<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 159,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 979,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/03\/2_Willi-Baumeister_05-07_2015_Galerie-Klaus-Gerrit-Friese-Berlin.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 160,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1212,\r\n \"attid\": 1760,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/03\/2_Willi-Baumeister_05-07_2015_Galerie-Klaus-Gerrit-Friese-Berlin.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/03\/2_Willi-Baumeister_05-07_2015_Galerie-Klaus-Gerrit-Friese-Berlin-512x342.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/03\/2_Willi-Baumeister_05-07_2015_Galerie-Klaus-Gerrit-Friese-Berlin-265x177.jpg\"\r\n },\r\n \"w\": 700,\r\n \"h\": 467,\r\n \"ar\": 0.6671428571428571,\r\n \"alt\": \"\",\r\n \"imagelink\": {\r\n \"url\": \"\/baumeister-kabinette-galerieeroeffnung\/\",\r\n \"id\": null,\r\n \"type\": \"\",\r\n \"newtab\": false,\r\n \"title\": \"\",\r\n \"hoverimageid\": null,\r\n \"hoverimagesmallsrc\": \"\"\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GALERIEER\u00d6FFNUNG<\/a><\/span>
Willi Baumeister
<\/span>&
<\/span>In den Kabinetten: Michael Wutz, Cornelius V\u00f6lker, Walter St\u00f6hrer, Saul Steinberg, Dieter Krieg, Karin Kneffel und William N. Copley<\/span><\/p>

12. Mai \u2013 7. Juli 2015<\/span><\/p>

\u00a0<\/p>

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